Wolves of the City, Money Hunters

The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.

Kosaka Hiroshi is a small time swindler and the boss of a motorcycle gang in Shinjuku. Living only to make money, he never made the big time until he gets involved with a Yakuza's daughter. But when he gets involved in a scheme to blackmail a Yakuza gang and a land developer, he realizes he's gone way over his head…

A story of rivalry between two gambling clans.

Rivalry between a hoodlum group and gangster organization.

Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.

This is the sixth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

The hoodlum group goes to a hot-spring resort town to earn money.

Rivalry between a hoodlum group and a gangster organization.

Interesting fights between the "Capone Group" and "Jumbo Group".

This is the Twelfth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

This is the thirteenth film in the series.

Pinku from 1971.

This is the Fifteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

This is the Sixteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Gokudo Shimamura comes to blows with the Delinquent Boss who rolls into town with his motorcycle gang.

A story of rivalry between two gambling clans.

This is the thirteenth film in the series.

Interesting fights between the "Capone Group" and "Jumbo Group".

Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.

This is the Fifteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Rival gangs fight over ownership of bicycle race track.

Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.

This is the Sixteenth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

This is the second film of the ZA KARATE trilogy (AKA BRONSON LEE CHAMPION). Tadashi Yamashita reprises his role as the Karate World Champion and must faces dozens of worldwide pretenders, such as the Guillotine Brothers of New Guinea, Killer Samson, Dracula Jack (Bolo) who all want a shot at him at all cost and also to steal the famous Orikirimaru Sword.

Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.

This mid-1970s martial arts classic stars Sonny Chiba as Mu Yun Tek, a young man trained in the Thai fighting style since childhood to one day avenge his parents' death. When a fellow student kills their teacher, Mu Yun's thirst for vengeance grows. The brutal action never stops as Mu Yun teams up with an Interpol agent (Tadashi Yamashita) to find the culprit, who insists that their former master was a drug dealer who had to be destroyed.

An undercover cop insinuates himself into a yakuza family. Managing to avert an assassination attack on the boss he is assigned to kill a rival boss.

This is the third and final film of the ZA KARATE trilogy. Tadashi Yamashita reprises his role as the Karate World Champion. Local Japanese karate schools are not happy that a Chinese master will take over the Japanese karate organization and will do everything they can to prevent it.

Natsuko, a Tokyo bar proprietress, and Yuki, a Kyoto Ryokan owner, vie for the affections of an advertising professional.