Violeta más viva que nunca

A collage of images showing the two faces of a society. That of poverty and that of wealth. Throughout the documentary, this antagonism is shown: populations in unhealthy conditions, and on the other hand, large showcases with mannequins.

During a protest, French priest André Jarlan was shot and killed on September 4, 1984, in the La Victoria neighborhood of Santiago. The residents arrived on foot to the Cathedral demanding justice, also offering a testimony of love and solidarity with their pastor. In parallel, the documentary tells the story of the 1957 occupation that gave rise to the town. It also reveals the strong organization of the residents, essential in addressing the economic hardship and repression suffered by one of the main popular bastions of opposition to the military dictatorship. Pierre Dubois, the parish priest of La Victoria, played a leading role in the attempt to stop the violence against the residents of the town. In recognition of his work, he was granted Chilean nationality in 2001.

The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.

After finding a valuable treasure, Quique commits a crime. His mother arranges a plot to hide the act and keep the gems, but to make it, she'll have to surpass both the stupidity of Quique and the smartness of the policemen who investigate the case.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

A portrait of famed Chilean singer and folklorist Violeta Parra filled with her musical work, her memories, her loves and her hopes.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

A story of Victor Jara - one of the most popular singers in Chile.

In 1985, exiled director Miguel Littín secretly reentered Chile to film this sweeping documentary portrait of the country under the dictatorship of Augusto Pinochet. Shot clandestinely and later released as a four-part television series, the film combines interviews, historical reflection, and on-the-ground footage to examine Chile’s political climate more than a decade after the 1973 coup.

The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.

The life of a family from a working-class neighborhood, that after the success of their car wash business, they move to an apartment in the wealthiest neighborhood in the country.

After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.

Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.

In a violent city where a man succumbs to the loneliness and delirium of his unfulfilled desires. He wishes to belong somewhere. And the only way to achieve this goal is projecting in his own mind another version of himself, a "second man", someone -who will be accepted.

As a funeral procession advances through a dusty town in the Paraguana peninsula, a young man rides his bicycle through the crowd. A beautiful woman stands apart from the crowd and gazes in wonder as the young man rides away. A child, the town's fool and the woman go after the Bicycle, each character with his own motivation. Enraged with indignation, the men also follow the cyclist through the town and onto the desert seeking to kill him.

Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.