Snow/Woman

Rokuro Saito was hired as a gardener for the Kawarazaki family. The beautiful mistress of the house, Kyoko, who greeted Rokuro, was a widow with two daughters, Sachiko and Rei. Also living there were Rei's tutor, Kaori, a creepy male servant named Nanbara, and the maid, Misako. Rokuro was eager to take on the job, but Misako was cold and distant.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.

Fearing dead-end futures, abused schoolgirl Alisa and neglected housewife Harumi plan a new life together, bankrolled by a bag of stolen cash. But with an incestuous father and a jealous mother-in-law in hot pursuit, their journey to the other side of the night becomes longer — and stranger — than they could’ve expected.

Sachiko Hanai is a call girl. One day she is caught up in a gunfight and is shot in the forehead. Instead of killing her, the bullet in her head gives her psychic powers. She also accidentally comes into possession of a cylinder containing George W. Bush's finger, whose fingerprint is designed to launch a nuclear missile, and international spies are soon chasing her.

A young couple in love prepares to marry, but--contrary to the popular stereotype--the woman develops a classic case of "cold feet" and seeks the advice of an older man. In no position to offer solid counsel since his own marriage is failing, he instead allows her to seduce him.

When he is hit by a car on the street, the young man Daikoku foresees the monster Demking appearing at the end of the century. In preparation for the coming confrontation with the Demeking, he organizes a modern-day Seven Lucky Gods composed entirely of antisocial people. This is a utopian epic that, despite the ridiculousness of the story, is the most powerful depiction of the motifs seen in the first two films, which attempt to play on the sense of apocalypse through unrealistic imagination, while staying within a tenuous sense of reality.

Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)

The countryside, Sawai village, beyond the single- rail terminal station . The fields are spread out here, and there is a huge shopping mall nearby. Chihiro who lives here is still a virgin because Arasa is greeted because she pursued her ideal boyfriend too much. Tachihiro, who thinks it's not good to keep on pleading, calls a humane harmless serious man, Kyohei, who works at the same village office, and invites him to a love hotel, but because they are virgins and virgins who only know sex seen in adult videos, they remain awkward It ends in failure. One day, in the village office, we will hold a marriage hunting party to revitalize the youth and to eliminate depopulation in the whole region . Since women may not be gathering, women at the government office will participate while falling at the end of the day. The small romance pattern in the government office is now crossing.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.

A sexual tale of an erotic film depicting the love, lust and sex of a traumatized new young nurse. Akemi is a nurse who drags her leg due to a past injury and hates sex due to rape. One night, she passes by a sound engineer, Ikuo, working hard on a recording on a bridge. One day, she meets Ikuo when he's hospitalized with a broken leg, Akemi become attracted to him, but is troubled by her feud and affairs with doctor Kubo. Will her hidden past secrets stop her from pursuing love, lust and sex?

Akemi works part time to support herself and her lazy husband. One day she meets an old friend and the friend's husband. She becomes aggravated during their conversation when the couple suggest that Akemi's husband's irresponsible behavior is justifiable. As her frustration increases, she meets a woman who encourages her to experiment sexually, which in turn leads Akemi to a labyrinth world of sex and swapping.

A bar in Shinjuku 2-chome. Toru is the manager of this bar, but one day, the owner, Ishii, suddenly passes away. The bar is to close, and Toru receives a list of regulars from Takano, the accountant, and decides to start a journey to collect retirement benefits. Together with Kenichi, the bar's number one, they borrow Ishii's old car and set off to northern Kanto. First up is Sato, a company president with a foot fetish. Although married, he can't stop playing around with men, and whenever he comes to Tokyo, he requests Kenichi. In order not to let the people around him know, he gives Kenichi more money than the tab. Next is Yamamoto, a city council member in the local assembly. A born sadist, he likes to tie Kenichi himself or have a young bondage artist tie him up, and then watch it happen. Kenichi continues on his journey, but he has another goal: to meet Shouji, a man he used to date...

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

As a newspaper reporter listens to the confession of a wife who murdered her husband, the film shockingly depicts the process by which she discovers why she killed her husband, why she started working on street corners, and how she became deeply immersed in an affair that began as prostitution to relieve boredom...

Asako and Tomoko, who live next door to each other in a certain apartment complex, are housewives who frequently chat with each other. Asako, who is on good terms with her husband, Keiji, tells Tomoko about their nightly activities, and Tomoko, who is in a lull with her husband, Shinpei, envies her for it. One day, Keiji and Shinpei, who had never even exchanged greetings before, happen to hit it off and go out for a drink together. There they meet a pair of office workers...