Cándido López: Los campos de batalla

MARCIAL’S VERSION juxtaposes reality with illusion, in a manner reminiscent of the ‘Film Noir’ style of the 40’s. Filmed in the underbelly of Buenos Aires, the film plunges the viewer in the murky investigation of a crime where love, money and betrayal are all intricately woven together. With seductive strains of Tango in the background, the viewer is jarred by the counterpoint between Marcial's discourse - his version of the events as told to the police - versus the truth on the screen.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

Vidal (Darín) is about to be bankrupt, so he sets up a fake car robbery with a small-time mobster to collect insurance and split the money. But his perfect plan becomes entangled by his increasingly dangerous ties to the mob and the meddling of a rogue insurance investigator (Pinti), who eventually strikes a deal with Vidal and decides to team up with him and his wife (Papaleo) to bring down the mob and expose the corruption that links a high-ranking executive to the mafia.

Twenty years after peace activist Im Su-kyong swore that she would cross the border between North and South Korea on foot, Argentine documentary filmmaker José Luis García goes in search of the young woman who was once known as "The Flower of Reunification." (TIFF)

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

Sumo, one of the most emblematic bands of Argentine rock, during the preparations and the unfolding of a historical concert: the presentation of their last album at the mythical Obras Stadium, recorded a couple of months before the death of their leader, Luca Prodan.

This film follows the crisscrossed fortunes of, among others, a rock musician, a flight attendant, a dog walker with an alarming penchant for over-the-counter medication, and a cab driver, who doesn’t really care about his life spiralling out of control, as long as he can sit in his old Renault 12.

In a dystopian society, a government uses therapy and dreams to recover, or perhaps implant, memories to those lacking them.

An insight into one of Argentina's most famous marketing campaigns of the late 1990s and early 2000s: la llama que llama. Their creators talk about their creation on its 25th anniversary.