The Incredible Story of the Man Without a Shadow

At 18, Claudia doesn't want to be a hero. Her mother's illness erupts like a silent storm, forcing a redefinition of roles in a family long estranged. Torn between the duty to care for her mother and the desire to live like any other girl her age, Claudia searches for a way to navigate this new reality, which will transform the bonds between the entire family.

Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

Private detective Germán Areta el Piojo gets a terminally ill client who wishes to see his long lost, runaway daughter before he dies.

In Galicia, in northern Spain, Malvís, a frustrated day laborer who, fed up with his life, has become a clumsy bandit, tries to make a name for himself by robbing travelers passing through a forest inhabited by colorful characters.

Don Martin, the owner of a repair company, hires Jamaican Ali to fix television antennas. The boy, besides being an excellent professional, causes a furor among the neighbors because of his great attractiveness, so the men will do everything possible to make him leave and stop competing with them.

Julia's life takes place in the bath tub. Drop by drop she will build up the courage to change the order of things.

A Nobel prize winner returns to his natal city looking for his home.

A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.

A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.

Isa has more than enough on her plate with two children and the household, which she manages on her own. When her husband persists with his wish for a third child, she realizes that something must change.

Javier comes from the future to recover María's lost love. Together, they relive the magic of the day they met and repeat the journey they made from a sunrise in Madrid to a sunset on the Andalusian coast. Everything to get María to be the full of life girl he once fell in love with.

It is Sunday. A beautiful dawn on a doomed day. At ten o'clock, a happy child is going to die.

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.