Ville-Marie

Three American tourists explore Quebec guided by an imaginative leader, in an atmosphere of health and good humor. Baroque incidents, romance, and satire on society unfold, aiming to evoke monumental laughter from Quebecers.

The true identity of an undercover RCMP narcotics agent is discovered by the criminals he is investigating and his family pays the price.

In 1929, Mr. Messier, owner of a small print shop in a village in Quebec became a widower, he lives with his two children, Rachel, 9 years old, and Gaëtan, 7 years old. In this closed universe and in the absence of their mother, a great complicity is established between the children.

Two bourgeois-bohemians struggle to stay on the cutting edge of trends and fashion while never sacrificing a single ounce of comfort, style or social conscience.

Duplessis was a historical television series in Quebec, Canada, that aired in 1978. It tells the story of Maurice Duplessis, the controversial premier of Quebec from 1936 to 1939 and 1944 to 1959. It is one of the most famous mini-series in Quebec television history. The series was written by Oscar-winning film director Denys Arcand, and based in large part on Conrad Black's popular biography. The series contains 7 episodes, each one containing a different historic moment in Duplessis's life and path into power. Duplessis is portrayed by Jean Lapointe. It is distributed by Radio-Canada and is available on DVD.

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.

A robbery at the secluded country home of a wealthy old man goes horribly awry.

Made shortly after the referendum on Quebec's independence was held, this documentary illustrates what the politicians' promises were and how the population did not really care nor truly understand what was really at stake, even though just about everyone had an opinion on the subject.

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

A retired archivist is annoyed and confused by a group of protestors who are angered by a mural inside the retirement home where he resides that glorifies colonialism.

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.