DRAGONFLIES, THE BABY CRIES

Millions have seen the photograph, and no one who has seen it will ever forget it. A naked woman, dead from a botched illegal abortion, lying on a motel room floor. The picture appeared in Ms. Magazine in April 1973, and quickly became a symbol for the abortion rights movement. LEONA'S SISTER GERRI tells the dramatic story of Gerri Santoro, a mother of two and the "real person" in the now famous photo. Should the media have used this image? What circumstances led to Gerri's tragic death? Powerfully addressing issues of reproductive rights and domestic violence, this video is a moving portrait of Gerri Santoro's life and society's response to her death.

Tears is the story of a narcissist, Betty, whose misguided quest for self love results in a botched face. After numerous plastic surgeries gone awry, Betty and her husband, Leonard (himself a borderline who mirrors her obsession with plastic surgery in his fascination with the show Xtreme Makeover), get into a car accident in which a deer crashes through their windshield. Leonard dies, but Betty survives, albeit without a face. Waking from a three week coma, she learns from a nurse that she will require a face transplant. Worse, a doctor informs her, the face is that of a successful suicide. And finally the kicker: New life is stirring in Betty. Will she choose the fetus or her face? And how to cope with the walking dead situation of her transplant? Many quandaries, none of which are resolved.

Witnessing the highest rate of HIV infection in the world and the lowest life expectancy on the planet, three grandmothers in Swaziland cope in this critical moment in time.

The death of Michael Brown, shot by a Ferguson, Missouri police officer in 2014, was national news after protests erupted there. But the history of Ferguson, a formerly whites-only "sundown town,” and the neighboring black town of Kinloch, now semi-abandoned, is not well known. Incorporating reflections of residents of Kinloch and Ferguson (including Gillooly, who grew up in Ferguson), this film explores the relationship between these two towns. Beginning with a 1960s roadblock that divided then-white Ferguson from black Kinloch, the film depicts a micro-history of race relations in America.