Sem Raiz

The wanderings of the Terceiro Mundo, a homeless man who plunges into a dreamlike drift through the streets of the capital of São Paulo.

André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.

Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.

An impoverished teen seeking to escape the clutches of a human trafficker must weigh living up to his moral code against his struggle to survive.

A tale about the apocalypse of the working class.

To start again, one has to destroy.

Basketball gave teenager Tamiris the chance to study at a private school. There, she began to divide herself between training and theater classes. For the first time in contact with making art, Tamiris discovers other ways to release the energies of her teenage body, until she is abused during a class.

Fragments of an endless night, Robert and Teresa meet and get to know each other, and get separate by the force of oppression and the threat of death and disappearance that continually creeps in.

A tale of love and death in a world where the state of exception has become the rule and the last days of humanity never end.

The small town of Furnas Fundas hides a secret far older than its pastures, forests, or the people who live there. During a heated election marred by scandals, Bartira, known merely as the town drunk, unexpectedly finds herself at the center of it all. It’s up to her to face a dark force that has returned to turn the town into a true bloodbath.

Kelly, a young teacher, starts working at a public school on the outskirts of Contagem. Idealistic, she tries to push for a change, but ends up going too far. During a lesson, she gets into an argument with Nicolas, a young student. The quarrel brings some learning: Kelly learns that, on the outskirts of Brazil, the exception is the rule; and Nicolas learns that only by tearing down the present can the future be seen.

A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.

When the father sacrifices the sick dog of the family, the relationship with the eldest daughter becomes unsustainable. Fearing that he may do the same with the youngest daughter, who is also sick, the sisters come together to try to escape the threat of their father.