Mud Angel

The life at the Military Academy of Agulhas Negras, with a cadet living remarkable moments during school times.

A horse tamer is the father of a beautiful girl who is coveted by his neighbor, a rich farmer. The farmer seduces and kidnaps the poor girl. The man, desperate, goes after him. In the end, when he tries to hit the man, he ends up hitting his beloved daughter. Not knowing what to do, he starts a fire in the farmer's forest, but when he sees that the fire is taking over his property, he decides to hang himself.

Made in 1926, but only shown in 1932. It starred amateur actors, breaking box office records with consecutive showings for several weeks.

Three couples, two already living in Rio; and the third, with 'the one who hates carnival', coming to visit an aunt. One of the women bets that all husbands are unfaithful. They send invitations to their husbands to the carnival ball. They find a pretext to be able to attend. They, in turn, go in disguise, just like the maid. Hence the confusion at the ball, each one dating the other's wife.

In a small town in the countryside, the population is excited about the imminent arrival of a circus that brings excitement to the peaceful life of the city.

Filmed on the beaches and in a mansion in the then 'flourishing' Copacabana, it starred a caricaturist and several figures from the journalism of that time.

Lost film. Based on the novel of the same name by writer José de Alencar.

A 1923 Brazilian silent comedy film directed by Luiz de Barros, now considered a Lost Film. Augusto Aníbal Quer Casar is recognized as the first portrayal of an LGBT character in Brazilian cinema history.

A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.

Clarinda is the adopted daughter of Alberto da Silva, an industrialist facing a crisis due to excess inventory. Benedito Silveira, a representative of a European firm interested in Alberto's products, flirted with Clarinda, despite being relatively old. If Clarinda's heart belonged to him, the problem of the accumulated inventory would be solved. However, Clarinda either didn't want to, or couldn't understand, Benedito's romantic intentions. She spent her time outings with Laura, a highly experienced aviator and her childhood friend. The factory's growing crisis forced the shareholders to meet frequently. Employee layoffs were inevitable. Antonio Martins was a young shareholder who spent most of his time in clubs and cabarets. Introduced to Clarinda, he began to court her, eventually declaring his love. But Clarinda thought of no other affection than that of her adoptive father.

Returning from a pleasant horseback ride, two lovers on their way home contemplate each other, entranced by the modesty inherent in the rigid customs they were raised in. The hero feels an irrepressible desire to come to Rio. In the capital, interested in a theater star, he heads to Buenos Aires to win her heart.

Zé Babão is a hillbilly who does not care about working, leads the good life of the interior and is in love with Conchita. One day, an Italian appears interested in all the banana trees of Zé Babão and, for this, decides to marry Conchita.

Álvaro Ramos, an incorrigible bohemian, thrown out of the boarding house where he lived for lack of payment, finds fifty thousand réis on the street. He buys a lottery ticket number 013 and wins a big prize.