Vedete, sono uno di voi

After World War II an Italian soldier returns to his hometown near the Alps and, unable to find a job, hooks up with a crotchety hermit who scavenges buried shells and bombs for scrap metal.

With his family mired in financial troubles, Domenico moves to Milan, Italy, from his small town to get a job in lieu of furthering his education. A lack of options forces him to take a position as a messenger at a big company, where he hopes to receive a promotion soon. There, Domenico meets Antonietta, a young woman in a similar situation as himself. The two form a tentative relationship, but the soulless nature of their jobs threatens to keep them apart.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

A young man has a renewed interest in his girlfriend when he takes a job that separates the two.

On a turn-of-the-20th-century northern Italian farm, a group of sharecroppers eke out a threadbare existence. A priest advises Batisti and his wife Batistina that their young son Minec should be formally educated, so they sacrifice his help in the fields and send him to school. When Minec's wooden shoe breaks one day, Batisti--in an act of desperation--puts the family's future at risk to replace the clog.

An unusual and evocative journey through the city of Milan at the beginning of the 80's, among fashion, art and everyday life.

Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his family he is temporarily replaced with an adolescent boy. The other man is both annoyed and intrigued by the boy and his habits: he listens to loud music, sleeps too long in the mornings and doesn't drink any alcohol. They barely speak to one another in the first couple of days. But when an avalanche cuts their small hut from electricity they slowly start growing more fond of each other.

In the 18th Century, in Bohemia, a government surveyor meet a priest during a lunch and remained intrigued by him. Years later, in a stony valley, the two men meet again and form a deep friendship.

Grigio was a small stray dog, a mongrel for generations. He never had a real owner. For a while he followed one of those couples of itinerant musicians who wander through rural villages and the outskirts of big cities. It was one of them who, one day, gave him the name Grigio.

Laura, a woman of a certain age with full grown children who, by all indications should be leading a great life, but actually, she appears to have none. She comes from a wealthy family. Laura has made herself a lawyer with a nice practice. Her placid existence comes to an abrupt stop when a young motorcyclist suffers an accident almost in front o her. Laura is made to take the youth to the hospital. The incident will change the way she looks at things. Laura becomes obsessed with the young man that was almost killed.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.

World War I, Italian north-eastern front after the 1917 bloody battles on the Altipiano. A group of soldiers face the difficulty of war in a story that unfolds in the space of one night. Events follow one after the other without any kind of pattern: the peaceful mountains suddenly become a place where men die. But every story told in this film is a true story.

Andreas Kartak, a homeless man living under the bridges of Paris, is lent 200 francs by a stranger as long as he promises to repay it to a local church when he can afford to. Kartak is determined to pay back his debt but circumstances, and his alcoholism, forever intervene.

A train travels across Italy toward Rome. Onboard is a professor who daydreams a conversation with a love that never was; a family of Albanian refugees who switch trains and steal a ticket; three brash Scottish soccer fans en route to a match; and a complaining widow travelling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and decorum, and opportunities for kindness.

Based on the diary Pope John XXIII kept between the ages of 14 and 18, his lifelong concern for tolerance, the underprivileged, and world peace is told. Rod Steiger, in the central role, acts as "intermediary" between the Pope and the audience, interpreting John's words, thoughts and actions. Steiger visits the actual places in which John lived, recreating the conditions, environment, and forces that affected his development. Through this unusual technique, we are brought close to an extraordinary man - one who's able to win the love of many people of all faiths.

After a big flood some Calabrian children are sent to Milan.