Candy Boys

Kitazawa Haku had watched a movie and dreamed he was in a parallel universe. Meanwhile, Ryū, the older brother of Haku's friend Takeru, is facing down boys' bar owner Rokujō. Then Ryū becomes fascinated with Kikiyō standing behind Rokujō. On the day of the yearly festival, Haku suddenly disappears. Takeru disappears while in search of Haku. Ryū disappears while following Kikiyō. And then Rokujō also disappears.

The third movie in Léona Hirota's 'Candy Boys' series.

The third movie in Léona Hirota's 'Candy Boys' series.

Set in Osaka's Shinsekai, the film depicts the lives of Ayumu Tobita (Hidekazu Akai), who makes a living as a shogi gambler (shinken-shi), and Ryuzo Kayama (Masaya Kato) who aims to become a professional player.

Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

Kishi is a 37-year-old personnel officer and fairly happy with work, wife and child. But he turns out to be susceptible to a more exciting life. Through his old schoolfriend Daimon he meets the attractive Yoshie and spends a sensational night of love with her. Kishi doesn't want to leave it at one night. On their second meeting, Daimon is also present and this night turns into a sado-masochistic ritual. A suppressed memory emerges in Kishi: once he raped an elderly woman with Daimon. Kishi again crossed a frontier this night and the relationship with his colleague Yuko also breaks boundaries. He slowly realises that his emotional life is taking a direction that he had never dreamed possible; Kishi moves into a new and dark world.

The story begins with the disappearance of a school bus and four high school girls. Still unsolved three years later, the case gets revived when one of the girls reappears. Odagiri plays a sharp national investigator searching for the truth behind the incident, which leads back to a seemingly peaceful town.

The Makai fight a secret war against the demon forces known as Horrors, evil creatures that manifest themselves through darkness to devour Humanity. On the frontlines are the Makai Knights, given the task of watching over a district and eliminating any Horrors that manifest there. GARO follows the tales of the Knights bearing the title of ‘Golden Knight Garo’, and their duty to vanquish the Horrors and protect Humanity from the darkness.

A thug offers to pay a law student's gambling debt if the student will accompany him on a trip across Tokyo.

During the Vietnam War era, the influx of American soldiers to Okinawa boosted the local economy and introduced many bars and nightclubs. With exhausting displays of energy, Sai presents a whirlwind romance between a local rocker and the daughter of a mixed American-Okinawan marriage.

Bem, Bela, and Belo are not "monsters," nor "humans," but "humanoid monsters." They usually disguise themselves as a human family living together, but their appearances transform into ugly monsters when their emotions become uncontrollable due to intense anger or extreme sorrow. Even if they save humans out of a sense of justice, they are feared and hated by humans just because they are humanoid monsters. They have lived in this manner for centuries, and their only wish is to become humans as soon as possible. One night, Bem saves a man, and becomes friends with detective Natsume. At Natsume's house, he finds a photo of a man who may hold a clue as to how to become humans. They go to meet the man, Ogata, who denies any knowledge and disappoints them. Meanwhile, the case of the man Bem had saved, rapidly unfolds, and Natsume finds himself in trouble. Can Bem save Natsume?! Will Bem and his sidekicks' dream come true?!

Ai's mother sends her to live with a cult commune, where she remains for seven years. After the cult is broken up by the police, Ai struggles to fit in with society.

An appassionato art student and a dispassionate college girl make a vow, saying they would meet each other again in the Florence Cathedral after 10 years.

Japan, 250 years ago. Soetsu is a moneylender who is killed by the cruel samurai Shinzaemon. His body is dumped in the Kasenega-Fuchi river. According to legend, all who drown in the river will never surface again. 20 Years later, Shinkichi, the handsome son of Shinzaemon, coincidentally meets Toyoshiga, the daughter of Soetsu. They fall in love. It is a doomed love, as the spirit of Soetsu is far from dead

Shūichirō Kiriyama works at the Limitation Task Force, the place where the cases which have reached the statute of limitations are destroyed. Getting bored of his job, he decides to find a hobby, because it seems important to him to have a hobby. So he decides to puzzle out the unsolved cases on his free time, helped by his coworker Mikazuki, who seems to have a crush on him.

Midori is a coming-of-age drama set amongst the heady high school world of peer rivalry and sexual awakening, featuring an emotionally-detached high-school girl who, her parents dead, lives with her brother and his overprotective wife. After being sent out of class due to a dizzy spell, she becomes acquainted with Shun, a boy in the class below, in the school sanatorium. As the two begin feigning illness together on a regular basis, their uncomfortable flirtations soon blossom into a full sexual relationship.

A young man decides one day to start killing yakuza. After he kills his first two he gets roped into helping a wannabe gangster and his bumbling underlings to perform a hit. While things work out in the beginning, this young psychopath quickly becomes more trouble than the gang expected. Will they be able to rid themselves of him, or will they be his next victims?

Following the life of Japanese artist and poet Yumeji Takehisa through the imagining of an encounter with a beautiful widow with a dark past.