L'Air du Temps

Before director Lo Wei helped to discover Bruce Lee and the king of kung-fu comedy Jackie Chan, in Madam Slender Plum, Lo perpetuates the career of yet another Shaw's non-action, femme fatale starlet; the sleek and sexy, puppy-eyed Eurasian Jenny Hu. It's a melodrama with a touch of murder-mystery in the vein of an old Alfred Hitchcock movie where Diana Chang plays the mother with Jenny playing her oldest daughter.

Tang Monk is a woman, and she was almost killed by Wukong XX when she went out, but fortunately, the spider spirit appeared immediately. After subduing Wukong, the two masters and apprentices immediately went on the road to Gao Laozhuang...

Nineteen-year old Li Ching scored a major success playing the title character, Susanna. Li's youthful exuberance is given free rein in a role that embraces rebellion, love, betrayal, tragedy, and ultimately, redemption.

It seems that Li Zhenfei was once an imperial concubine, who often found herself competing with her rival Madame Liu for the emperor's sole, undivided attention. When Li gives birth to the Emperor's child, the jealous Liu switches the boy with a cat and commands a servant named Kou Zhu to kill the baby. However, Kou Zhu ignores the order and gives the prince-to-be to the emperor's brother, a decision which eventually leads to the boy being adopted by the emperor himself! But as fate would have it, to go along with his new son, the emperor has a new wife as well - Madame Liu! As this strange new family unit is being constructed, poor Li Zhenfei has been confined to the forbidden palace, condemned to never see or speak to her son, the prince. But destiny reunites her with her son, but will this family reunion be a happy one? And will Madame Liu finally be punished for her treachery?

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

"Wild at Heart" is a love film directed by Ho Fan and Qian Wenji, starring Shen Guanjun, Yang Yijia, Weng Xuehua, Liu Zhi, Xu Zhen, and Chen Zihong. It tells the story of a lascivious man carrying his wife around to provoke flowers, which was finally exposed and tortured by four women.

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man

The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.

Ling Bor plays Wen Fei E who is both an excellent academic as well as martial arts expert. Since her childhood days fond of dressing up as a boy, she becomes a village scholar sharing classes with Tu Zi Zheng (Chin Feng) and Wei Zhun Zhi (Ho Fan). When Fei E's innocent father is framed and sent to prison, she rushes to his rescue saving Jing Fu Quan (Kam Fie) who is in the hands of robbers along the way. Mistaking Fei E to be a noble hero, Fu Quan has no greater wish than to get married to her savior...

Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."

Before Michael Mak’s Sex And Zen became a cult favourite in the ’90s, there was Ho Fan’s Yu Pui Tsuen (The Carnal Prayer Mat, 1987). But without sex bomb Amy Yip, coarse humour or lesbian love affairs, Yu Pui Tsuen had to rely on the nudity and sex from his cast of relative unknowns to save the day. When a young man dreams that he drowns after a night of carnal passion, he asks a buddhist monk to translate the experience for him. The monk replies that the dream is a warning not to indulge the pleasures of the flesh to excess, but the man ignores his advice, marrying a virgin and making love to her constantly. However, after several torrid affairs, the man begins to realise the sagacity of the monk's warning.

Adapted from the same infamous ancient text as the popular 1992 opus Sex and Zen, this film. Mei Yeung-sun is a man of letters who is less than thrilled with his sex life with his comely young wife Ti Yuk-xiang. Yet when Mei uncovers the family sex manual, their physical relationship improves considerably. So successful is the transformation that the two spend all of their time in the sack, much to the consternation of the girl's father. Later, Mei leaves home supposedly to become an official in the big city. In fact, Mei really plans to troll around the countryside and have sex with as many women as possible. Thanks to the advice of master thief Tsoi Kwun-lung, Mei visits a noted doctor and leaves the place with a massive newly installed penis. Brimming with cocksure confidence, he soon seduces lonely housewife Yim-fong. Her thuggish husband Kuan Low-si soon gets his revenge.

David is sitting in a bar, musing over why he has bedded and left five or six of Asia's loveliest women in such a short time.

A compelling study of three girls and the paths they choose to stardom when they cross paths with a womanizing artist.