I'll Be Your Mirror

The story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early ’70s through the mid ’80s, exploring the rough-and-tumble world that existed there until the rise of HIV, the violence of the cocaine epidemic and the renewed real estate market ended the bawdy turbulence of the area.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

A young woman escapes from a mental hospital during the chaos of a nearby multiple-car accident. She is mistaken for a shock victim and is driven to her sister's house by a rescue volunteer. Then the real story begins...

When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.

Divorced private detective Francois Maneri is assigned by his agency to investigate the disappearance of Rachel, a young student who has been missing for six months. After interviewing Rachel's family, friends and classmates, Francois is attacked and injured by an anonymous assailant and becomes reluctant to continue his search. But when Rachel's body is found, Francois is drawn deeper into the investigation as he discovers the dead girl's secret life.

The ghosts of a middle-aged woman and a precocious little girl help an unwed jazz musician and a bar dancer reverse their bad fortune.

A young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.

Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema."

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

Under Lock and Key is the single-channel version of an installation that premiered at the Wexner Center for the Arts in 1993. Using the "talking head" confessional as a stylistic device, B creates a social and psychological narrative wherein the act of speaking becomes therapeutic affirmation. B asked individuals who had suffered domestic violence to compose and read letters to those who had abused them. Their stories, addressed to their abusers and spoken directly to the camera, are intercut with comments by serial killer Ted Bundy and quotes from convicted murderer Jack Henry Abbott's prison memoir, In the Belly of the Beast.

A silent montage of social-media footage shows Gaza’s daily life—joyful childhood scenes and vibrant streets—shattering into bombardment, death, and displacement.

Sisters, Saints, & Sibyls, a landmark new multimedia installation that focuses on the experience of “women who are trapped, literally and figuratively, in both psychological and mythical contexts.” Thematically, the three-screen-installation explores Goldin’s personal narrative of her sister Barbara’s institutionalization and suicide at an early age, presented alongside tracings of both the mythological history of Saint Barbara and the artist’s own contemporary history of hospitalization.

A home movie centered around the totality of the solar eclipse, filmed in Super 8 and 16mm. The soundtrack includes a mournful piece by Valerij Fedorenko, a chilling new score composed by Mica Levi, and ambient sounds of nature recorded during the eclipse. It is Goldin’s first abstract work, born from an ancient myth that an eclipse is caused by animals stealing the sun. — Gagosian

Documentary portrait of the New York photographer Nan Goldin.

Liberty’s Booty is an investigation into prositution from a female perspective under a late capitalist economy. The film is also a document and a celebration of a New York subculture in the late seventies. With a dense mix of real testimonies, verité footage and acted out scenarios, this film examines power relations and the commodification of the body. The film alludes to a growing globalisation with its reference to a MacDonalds strike in Dublin and imagery of Pope Paul’s visit to Ireland in 1979 which in retrospect, is seen as marking a final attempt to halt the transformation of Irish society.