Let the Summer Never Come Again

Tehran 2022. While Behzad is obsessed with his neighbor’s private life and is trying to force a chance meeting with his ex-girlfriend, his wife Sima is secretly looking for an apartment for her and their teenage daughter Minoo. In the meantime, Minoo starts a flirt with Keyvan at a traffic light and casually takes the initiative.

Lisa, a photographer, has gone missing. The last known detail is that she had been photographing rural football stadiums in villages across Georgia. Her father, Irakli, sets out to search for her, traveling from place to place. Levani, Lisa's best friend – and an invisible person – also sets off to help.

Three young Georgians have to clean a castle in Berlin, where a German arms manufacturer's art collection is being set up for an exhibition. Of course, the proletariat isn't welcome at the opening party and they are banished to a servants' room in the attic. Downstairs, however, a splendid buffet attracts them - so why not just ignore the unfair prohibition and cross the line of class society? Didn't the French Revolution start over a piece of cake?

In the Georgian riverside town of Kutaisi, summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed with no way to recognize each other.

The story of the dog from the title, who in a frame narrative explains how he came to be transformed from an unemployed communist filmmaker into a canine with a philosophical bent. Unable to finance his new project, young Berlin-based director Julian tells foreign exchange student Camille that his job in the countryside is research for an upcoming film. When Camille offers to help, he is forced to uphold the lie. The plantation isn’t the proletarian idyll he had hoped for, but fortunately the reincarnation of Francis of Assisi provides spiritual insight and a new aim in life.

A child with a bleeding nose, sitting at the window in a bus and his young father whose nose is bleeding too. The young father tries to wipe the blood from the child’s nose, but because his own nose is bleeding too, It keeps on dripping on his shirt, and whenever he tries to wipe his own blood away, the same happens to the little boy – not about this is the Film. In the Film can be seen a Boy, a Girl, a Dog, a Boat and a River – and all this through a prism of tears in different geometric shapes.

From the music of Hungarian composer Mihály Vig , Georgian filmmaker Koberidze, Alexandre crafts a story of pixelated dogs on a ledge. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.

Three people were sitting in the cafe when the man enters. Not all saw the donkey, he has staked out. No one could remember what he ordered. Wherever he went, and no one knew. But a short time later, three people are dead.

On some pale blue dot in the Milky Way Galaxy – every day - bread is made – you will see how!

For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.

The famous director Sandro is shooting invisible films with faith in the purity of his work. Having promised the leading role of his new film to his big love, he has to face the fact that there is nothing to see in his films.

In her autobiographical documentary, filmmaker Biene Pilavci presents her family's life, which was marked by violence.

The year the snow won’t fall in December, Madonna will bear her third child and an asteroid named “Apophis” will get horribly close to earth, still flying by and giving the humankind another chance. One day early spring two young women will meet each other in Berlin, the capital of Germany to spend the evening together and on the next day in a shopping centre packed with people called “Alexa” to blow themselves up with explosives attached to their bodies and thus commit the biggest terrorist act that Germany has seen so far – the last evening is the film.

When Sabine finds herself back with her old circle of friends, she struggles to find just how and where she fits into the picture, finally turning the playfulness into a destructive game.

In the 21st century, fairy tales have ambiguous endings. A great love that the whole city talked about — between a Bundeswehr soldier of unheard-of beauty and the fastest bicycle courier in town — becomes impossible because of her service in Afghanistan. A sad, yet not hopeless story about impossible love in times of war — and about a city where everyone knows everything and the façades of the houses are especially beautiful on Sundays.