The Greatest

Hanna, 32, is on her way home one late evening when she runs in to an acquaintance, Andreas, 20, who invites her to a party close by. The party consists of five twenty year old boys. At first, Hanna feels uncomfortable, but she’s adjusting. Soon she feels like she’s one of them.

In room 1112 at hotel Riverton during Göteborg's 2011 film festival, director Jonas Selberg Augustsén brings together some of Sweden's most famous film workers and asks a question: "Are the celluloid film about to die, and what do you think it means for the moving image?" The film is inspired by Wim Wender's 1982 documentary, Chambre 666.

A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.

HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.

Two friends, Björn and Hampus, decide to move in together. If one ignores the fact that the two men are completely different, theirs is a close relationship. Being in love with your best friend and, in spite of this, or because of it, arguing to the point where it becomes unbearable.

Three unconnected scenes; each a study of betrayed friendships, too much alcohol, the hurtful exercise of power. Somewhere in Sweden, sometime in June.

11-year-old Astrid wants to do things her way, but her mother thinks she is too young. Astrid rebels and slips away for an afternoon in town with her friends. High on freedom, she ends up out of her depth, and as the day draws to a close she has a problem she needs to deal with.