A Lei do Cão

The film depicts the arrival of immigrants in the city of Espírito Santo following the history of Carlos, an Italian who struggles for his place against Hermann Gunter, a German colonist who rules the region.

A man leads a double life: during the day, he's the manager of a car shop but, when the sun goes down, he becomes a crook, pretending to be a playboy (the target being old women), a sultan who is gathering money for his cause, helped by a fake baron and his beautiful daughter.

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Otavio has to find and marry Madame Bettina's daughter if he wants to inherit her fortune.

A jaded reporter used to making up sensationalist headlines gets in trouble when real criminals come after him.

The telenovela tells the story of Francisca Moura Imperial, a wealthy businesswoman, and her two sons: Jordão and Tiago, who show little interest in the family business. Jordão is the product of a whirlwind romance in Francisca's youth, while Tiago was born from her marriage to Roberto, a seductive man who moves in high society but is penniless. Francisca is preoccupied with her sons but cannot interfere in their lives as much as she would like. Eccentric and full of outlandish ideas, she decides to undergo plastic surgery, which makes her look 20 years younger, believing that this will bring her closer to Jordão and Tiago. Francisca's greatest concern is that at least one of her sons will marry and give her a grandchild, thus ensuring the continuation of the family name.

Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.

A talented songwriter of sambas is forced to face the social injustices of the city around him.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Bruno is a physician whose license had been revoked, due to some ethical problems in the past. He gathers some criminals to kidnap the children of two powerful bankers. While the police faces contradictory evidence and clues, Bruno starts killing the other criminals, to keep the ransom for himself.

The life and times of Brazilian singer/songwriter Dolores Duran.

Anesio Gebara is well known in Rio de Janeiro: he owns a samba school and he bankrolls an illegal lottery. This drama series follows this man--who is seen throughout the city as a mob boss and probable drug trafficker--his family and his complicated relationship with his sons.