The Motive for Murder

A psychological film about the sense of self-fulfillment of a divorced couple over 30 who feel that life is slipping through their fingers. While she, a nurse by profession, is adapting better, he, unreliable and always improvising, is searching in vain for his clue and even tries to get back to his ex-wife.

Karel, a young man with an unknown past, but with a defined set of values and an ideal moral code, arrives in the village in the middle of the harvest. For the ordinary, down-to-earth villagers, Karel's lifestyle is hard to understand and they simply do not accept him into their midst. The summer ends and he leaves with his message again somewhere else. Perhaps he will return here next year to try to repeat his strange mission...

Building themes, however modified, permeated the nationalised cinema throughout its existence. This time, director Július Matula has focused on a young engineer who, with high hopes, accepts a position in a famous agricultural cooperative. However, he soon discovers that behind the proclaimed phrases there is in fact hypocrisy and protectionism. The authors criticise the fact that incompetence is often covered up, that shortcomings end up being cleverly camouflaged, that the social mood favours the mediocre and the adaptable. The hauers present a statement that is courageous, so to speak, within the limits of the law, and call for increased work consciousness.

Woodcutter Ondra, who for his bold nature is called Nebojsa. He goes into the world to learn fear. During his journey, on which he is accompanied by a cowardly thief Ferka, he can deal with a bunch of bandits, vicious mill, fiery rock and eventually he must confront the evil wizard who swore a beautiful princess. Will Ondra do all his courage and ingenuity to liberate Princess?

In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.

Jazz musician and trumpeter Beno is originally Slovak, but has been living in Prague for a long time. As a true bohemian, he does not recognize any limitations in his personal or artistic life. He is devoted to jazz with body and soul and despises any form of pop music. That is why he rejects the lucrative offers of his girlfriend, the successful singer Gábina. He also successfully faces the pressure of his much younger girlfriend-to-be and her defiant mother. Beno often has to pay for his tricks, but he accepts this with open eyes. Beno is ably supported by his friend, saxophonist Emil, known as Rampouch.

Looking at your classmates from above doesn't always have to be pleasant. Radek is nicknamed Bidlo. He is fourteen years old, he is a good student, but without interest in physical education and sports. Local rounds of spartakiad competitions are currently taking place and Radek would like to impress his classmate ...

The bank officer Bedrich Hroch is sent by the bank director to the zoo, which asked an allocation of one and half kg of gold for a gold tooth for a hippo. During the check up of the hippo's teeth Bedrich is swallowed by the hippo. The man does not die in the hippo's guts and he chats quite happily with his frightened wife Dása. Journalist Pip Karen, his friend is also present to the dialogue and he has immediately an idea how to use this special situation. He tells to the new minister Borovec and his opponent professor Fibinger that there is a hippo in the zoo which can speak. He also tells them how to use this situation for a political propaganda.

The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

A love story of a couple of mature people of completely different characters, who lived and worked side by side for years only as colleagues, but whose accidental trip to Slovakia to attend the wedding of Hedin's sister brought them closer, probably for the rest of their lives...

The protagonist is the ordinary and still blameless Evžen Macík, who one day, while waiting for his lover Maria, witnesses a robbery of a savings bank. When the robber drops a briefcase with half a million in loot, the loot falls in front of Evžen, who can't resist, picks it up and disappears. He knows that someone might have seen him at the scene of the crime, so he turns himself in as a witness to Captain Richter, who is investigating the case. Shortly thereafter, however, Maciek is contacted by the robber, who begins to force him to hand over the money with constant threats, initially only by telephone. In addition to pressure from the robber, pressure from the police is added because Captain Richter correctly suspects that Macík is hiding something from him. The mounting pressure leads to Eugene starting to make mistakes.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

Set in a bleak, filth-ridden provincial hospital, a disillusioned doctor begins to find the philosophical ramblings of a mental patient more stimulating than the company of "sane" society. As their relationship deepens amidst the grimy and decaying wards, the doctor's own mental health is called into question by his suspicious colleagues.

A portrait of photographer Pavel Hudec Ahasver is also a homage to the young generation, their thirst for freedom, their non-conformism, their narcissism.