My Mother’s Place

Home movies and family photographs mixed with drawings and texts tell the story of a family that has lived with disease.

The ghost of "patient zero", who allegedly first brought AIDS to North America - materialises and tries to contact old friends. Meanwhile, the Victorian explorer Sir Richard Burton, who drank from the Fountain of Youth and now works as Chief Taxidermist at the Toronto Natural history Museum, is trying to organise an exhibition about the disease for the museum's "Hall of Contagion".

In a courageous, straight into the camera, monologue the film maker tells us what it's like to be the school fag. The only one that is out about being gay in a small town high school.

Dirty Laundry speculates upon the buried narratives of gender and sexuality in Chinese-Canadian history of the 19th century, when Chinese communities were almost exclusively male. A story about a chance late-night encounter between a steward and a passenger on a train interweaves with documentary interviews with historians and writers and historical documents brought to life. The tape poses nagging questions about the personal and political stakes in the writing of history and in our interpretations of the past.

A Gay Men’s Health Crisis sex education PSA in which an interracial gay male couple hooks up at a bath house, having steamy sex safely.

Best known for his work in video, Richard Fung has made the politics of gender, ethnicity, and sexual orientation his central focus. Chinese Characters (1986) examines the ambiguous relationship of gay Asian men with white gay porn.

This video focuses on the experiences of four Asian men. Each person is in a different stage of HIV infection and each has significant experiences with various issues surrounding the disease. The interviews focus on the personal, the therapeutic, the medical and the political with HIV as a constant reference throughout.

In 1915, two Sikh mill-workers, Dalip Singh and Naina Singh, were entrapped by undercover cops and accused of sodomy. Their story becomes a fascinating case study of Vancouver power relations: how police corruption, racism, homophobia, and a covert "whites-only" immigration policy, conspired to maintain the status quo of this colonial port city. Told in four parts, by three separate directors, the film is a hybrid of film forms including drama, documentary and musical.

Islands is an experimental video that deconstructs a film by John Huston to comment on the Caribbean‚s relationship to the cinematic image. A story of unrequited love by a shipwrecked American marine (Robert Mitchum) for an Irish nun (Deborah Kerr), Heaven Knows, Mr. Allison is set in 1944 in the Pacific, but is shot in 1956 in Tobago using Trinidadian Chinese extras to portray Japanese soldiers. The artist’s uncle Clive is one such extra.

In 1984, Richard Fung released his seminal first documentary Orientations: Lesbian and Gay Asians. Featuring 14 women and men in Toronto of South, East and Southeast Asian backgrounds, Orientations was the first documentary to explore the experiences and perspectives of queer Asians in North America. Capturing pivotal moments in Toronto’s history, it presents an intimate portrait of the texture of gay live and politics at that time. Re:Orientations revisits seven of the original participants as they see anew the footage of their younger selves, and reflect on their lives and all that has changed over the intervening three decades. Their interviews are deepened and contextualized by conversations with six younger queer and trans activists, scholars and artists.

Growing up in Trinidad, Richard Fung loved dal puri roti. In this epic culinary quest he sets out to discover where this spicy flat bread was born. His journey takes him from the central plains of Trinidad to the Bhojpur region of India, and finally to the snowy streets of Toronto, Canada.

Best known for his work in video, Richard Fung has made the politics of gender, ethnicity, and sexual orientation his central focus. Orientations (1984) deald explicitly with gay issues, sn ambitious study considering racism and cultural self-assertion through art, coupled with stories of individual experiences,

On January 8, 1989 a Pickering, Ontario flea market was robbed. Witnesses reported the robbers consisted of one white male and four Blacks. Later that day, police disrupted a Scarborough church service, arresting one South Asian boy and four Black youths including a girl of thirteen. All were later released when it was proven that they were in church when the robbery occurred. Julien Didier was twenty at the time and the oldest of the arrested. This tape follows his experience of the events.

A two-headed monster grabs a little girl's backpack, which leads to a transformation.

In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.

Nang has written her own script. Born in the Trinidadian village of Basse Terre in 1934, she grew up poor, illegitimate, mixed-race and female, but she survived by defying convention. She left the first of five husbands when he cheated on her. With no formal training, she danced with choreographer Geoffrey Holder, who later won Tony Awards for The Wiz. In her twenties, she went to work in the Orinoco delta in Venezuela, and saved enough to buy a house. She started university in New York in her 40s. Stubbornness, resourcefulness and resilience have allowed Nang to surmount life’s scars and tragedies. As her many changes of first and last names suggest, she was constantly reinventing herself. In this vivid portrait, filmmaker Richard Fung gets to know his first cousin at her current home in New Mexico and on the road in Trinidad.