Jouluksi kotiin

Tells the story of a young couple using flashbacks.

An jolly gang of elderly people plan to rob a bank.

With its sharp opinions, the film is a follow-up to the film Asuminen ja luonto (Living and Nature). One of the most important Finnish short films, it is a lively analysis of urban living and the functions of the city.

The futuristic aesthetics of Computers Serve offers an illustrative account of the history of computers, their prospects and the risks within, as seen in 1968. The voice-over accentuates the highly topical promulgation set against the dangers of monotonous office work and computer totalitarianism.

In the summer of 1941, the Karelian youths Wist and Anttala decide to seek family silver hidden under Wist's home behind the border line of the truce.

Office clerk Eero Koskinen prefers to spend his nights drinking and reminiscing the war with his friends, instead of taking care of his wife and two children. A two-week drinking spree gets him fired, and a new job is not easy to find because of his reputation. He goes to a rehab centre in the countryside for a couple of weeks, but with no permanent result. Meanwhile, his wife has to get a job and is employed by her old sweetheart, now a recently divorced successful businessman.

The main character is a miller, who sometimes acts strangely but is otherwise a goodhearted hardworking honest man. He sometimes keeps the villagers up all night by howling. Finally the villagers decide that the miller has to be committed into a mental hospital, where the hero does not have to spend too much time until he escapes. The miller takes to the woods near his home but there he is constantly harassed by the chief of the police with his posse.

Juhani, a welder and Ritva, a right-wing backgrounded, future clerk get married. Soon we see that their marriage seems to be all about long business trips, housing problems, concerns about the money and political disagreements.

A French cultural research group arrives in Finland. From Helsinki, the group travels to Saimaa to participate in Midsummer rituals, where the summer night celebrations overwhelm the researchers.

Pekka Puupää and Pätkä involuntarily end up in Suez as peacekeepers. After saving the Caliph's daughter Suleiman from kidnappers on two occasions, the Caliph magically reunites the friends with Justiina.

Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.

Young photography model Susanna and her alienated teenage brother Veli spend the summer of 1969 travelling around Finland, mostly with another girl and her boyfriend. Sporting the latest fashions and trendy hairdos, they naïvely observe and criticise the modern consumer society, advertising, fancy boats and summer cottages, country dances, barbecues, and any other phenomena that were supposed to bother angry young intellectuals in those days. The plot and the political agenda are delivered with a cheerful, tongue-in-cheek mixture of documentary observations, fake TV commercials, fake interviews, philosophical voiceovers and titles, and a jazzy soundtrack by the progressive rock group Wigwam.

Jussi is a magazine editor who lives in an inherited apartment in Kruununhaka with his sister Eeva, who works as a summer editor, and his flight attendant girlfriend Leena.

In the year 2012 historian Raimo Lappalainen wants to illustrate how life was 50 years earlier. He becomes obsessed with the fate of a 1970s nude model Saara Turunen, and finds a perfect actress to reconstruct her life and death in front of a TV camera. Meanwhile, a strike at a nuclear plant is covered up by the media.

A girl joins the army instead of her brother, who has been injured in a car accident and cannot join the army in time. She is then disguised as a male conscript to save the brother from troubles.

Based on Franz Kafka's famous novel, director Jaakko Pakkasvirta created this interpretation of the woebegone Josef K., who is trapped in an ever-increasing labyrinth of double talk and bureaucratic nonsense in his efforts to reach the castle. As Josef seeks to make an appointment to see the ruler Herr Klamm inside his inaccessible abode, he becomes enmeshed in abuse from lowly villagers and bureaucrats alike. His endless false starts toward the castle's enigmatic interior are partly offset by a few sexual encounters but nothing alleviates his role as a victim of forces beyond his control.