The Midwife

The 20-year-old Juliette tries to come to terms with an unexpected pregnancy, despite a lack of support from the father of the child and from her mother.

Over several generations, the story of an aristocratic French family spanning the 20th Century, from the two World Wars to the social and political upheavals of May 1968. Facing adversity, old Duke Sosthène tries to keep traditions alive.

A famous director wants to make a film about true love, the kind his grandparents experienced when they lived together for 60 years. For this project, he holds auditions in a commercial real estate office. He asks the actors and actresses he meets to tell him about their conception of Love, with results that differ from those he expected...

In Paris, the student protests of December 1986. Alice Lazard is having her own revolution, expressing herself and trying to confront a world whose aggression and hatred ignite her fierce will to live and her madness. Or so we imagine. Swept away by her colorful language, her youth, her vivacity, her humor, we remain fascinated, and yet she expresses so much despair in the slow destruction of her relationship with a man... Romain, the creator of this character, is overwhelmed by her. He projects himself into another woman, Alice Lazard, brunette, warm, and aggressive. She comes to present herself to Romain for a role in his next film, but she doesn't understand his reactions at all. All of this unfolds under the sometimes amused, sometimes irritated gaze of Jean, the film's editor.

The tragic story of French naïve painter Séraphine Louis aka Séraphine de Senlis (1864-1942), a humble servant who becomes a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars grouped with other naïve painters like Henri Rouseau only to descend into madness and obscurity with the onset of the Great Depression and World War II.

Guillaume has made it: A machine that can clean dirty air by simply sucking all dirt into air balloons and then shipping them far far away so his explanation. Some Japanese business guys, after dinner with a lot of alcohol, order 5,000 pieces. His only problem: His production capacity is way to small so he gets to produce the machines in his private house. His wife Bernadette is far from being happy about it. Her private life goes down the line so she decides to leave Guillaume and to finally have revenge she candidates for major against her husband...

When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.

Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.

Paulette Van Der Beck and her husband have been running the housekeeping school of Bitche in Alsace for many years. Their mission is to train teenage girls to become the perfect housewives at a time when women were expected to be subservient to their husband. After the sudden death of her husband, Paulette discovers that the school is on the verge of bankruptcy and has to take her responsibilities. But while preparations are underway for the best housekeeping competition TV show, she and her lively students start questioning their beliefs as the nation-wide protests of May 1968 transform society around them. Reunited with her first love, André, and with the help of her eccentric stepsister Gilberte and strict nun Marie-Therese, Paulette joins forces with the schoolgirls to overcome their suppressed status and become liberated women.

After murdering her abusive husband, a woman on the run develops a friendship with another widow.

In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year-old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year-old publisher but he drops her for her older sister.

Benjamin Ballon wants to be a filmmaker, and has devoted a large part of his life for the past few years to getting to the point of filming an independent movie. He has been encouraged by Carmen Maura (playing herself), an established star, who has agreed to appear in his first film, and it is her level-headedness, calmness, and general good sense that keeps the project moving along, despite Benjamin's inexperience and a very temperamental male lead. On one occasion when the male lead is hours late for a shoot, her calm is the only thing which keeps the crew from walking out. The title comes from Maura's habit of bringing homemade tortillas to meetings, and using them to get her way.

On the eve of retirement, Émile delivers one final lesson about love and literature, urging his students to become the poets of their own lives. But is he still in love himself? Unable to answer, he returns home only to discover that his wife has left him. Émile must now live by the very words he’s been preaching, and thanks to unexpected encounters his life is turned upside down, helping him to reinvent himself.