We the Workers

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

The masterful new documentary from Wang Bing is an intimate, observational portrait of a peasant family who eke out a humble existence in a small village set against the stunning mountain landscapes of China's Yunnan province.

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

Young students in Hebei province preparing to enter middle and high school are sent to a miltary training camp.

We see people crawling on the ground like ants in a world of giant steel and cold, a desolate world with no earthly atmosphere.

The voices in this film are all conscientious citizens doing their utmost to improve the state of their nation. Their ethos is: “Where affairs of state are concerned, we cannot stand idly by and watch.” And yet the reward for their concern is a lifetime spent in political turmoil, years of periodic intimidation and surveillance. This film illustrates the perils of seeking freedom in a time of darkness, in a time when critique requires transformation. It depicts the harsh realities faced by three generations of activists—young, middle-aged and elderly– and allows us to better understand their anxieties, hopes, despairs and above all, their persistence.

This film describes the life of some ordinary people in a small town in southern China. Among them, there is a guy just graduated from a college, a businessman, a government office worker, etc.. Although it is said that the country advances triumphantly and the economy develops rapidly, these ordinary people are in a miserable state. Because it is a time of money, they are dreaming of getting it as much as they can to change their poor fate, which seems impossible for them forever.

The Temple Of Violet Bamboo Forest is a Buddhist organization in China's Yueyang City where Master Liao Guo has established an archive of writings and artifacts pertaining to the faith.

This film follows four artists living on the margins of society whose passionate discussions belie their stark and impoverished living conditions. The subjects are performance artist Li Wake, painters Wang Yongping and Ding Defu, and poet Motou Beibei, who is hailed online as a genius despite working as a security guard. Overcome by ennui, and lost in the uncertainties of their everyday lives and their artistic identities, the artists express certain hopelessness.