Eastern Avenue

An adaptation of Robert Lepage's stage play about lost love and considered suicide.

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her homeland, feminism, and ecology. Artist on Fire: Joyce Wieland captures the vibrant spirit of this painter, collagist, quilt maker, and filmmaker. In the early '70s, Wieland was involved in filmmaking, producing movies with a political message. In her 30-year career, she worked in a variety of mediums, including cloth, pastels, colored pencil, oils, bronze, and watercolor. Her works and her influence are examined in this detailed video portrait.

In Krapp's Last Tape, which was written in English in 1958, an old man reviews his life and assesses his predicament. We learn about him not from the 69-year-old man on stage, but from his 39-year-old self on the tape he chooses to listen to. On the 'awful occasion' of his birthday, Krapp was then and is now in the habit of reviewing the past year and 'separating the grain from the husks'. He isolates memories of value, fertility and nourishment to set against creeping death 'when all my dust has settled'. One part of 19 parts for series "Beckett on Film" featuring filmed versions of Beckett plays, some screened at the 2000 Toronto International Film Festival and some on Channel 4 television in the UK in June 2001.

Balifilm was originally commissioned as a stage performance, created from diary images and sounds collected in 1990 and 1992 by Peter Mettler on the island of Bali. The soundtrack is a live recording of eight Gamelan musicians playing the bronze and wooden instruments of Indonesia during the projection of the film. balifilm is a personal, lyrical observation and expression of the creative pulse of an extraordinary culture.

MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

Christian Frei's documentary traces the tragic tale of the giant Buddhas of Afghanistan's Bamiyan Valley, which stood as monumental landmarks for 1,500 years until 2001, when the Taliban declared that all non-Islamic statues in the country be destroyed. Despite international protest, the statues were blown up. Through interwoven narratives from past and present, Frei's film sheds light on the disturbing consequences of religious fanaticism.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

Ever more bizarre criteria are used to eliminate couples from a secret dance event.

The huge tar sands in Alberta are a potentially profitable resource, but the environmental impact could be heavy and long-term.

The incredible story of how the mummified corpse of a 40-year-old man was discovered by a hunter in one of the most remote parts of the country. The dead man's detailed notes reveal that he actually committed suicide through self-imposed starvation only the summer before. Liechti's film is a stunning rapprochement of a fictional text, which itself is based upon a true event: a cinematic manifesto for life, challenged by the main character's radical renunciation of life itself.

A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.

A palpably rendered audiovisual essay draws together the distinct sensibilities of filmmakers Peter Mettler (The End of Time) and Emma Davie (I am Breathing) and philosopher David Abram (The Spell of the Sensuous) to forge a path into the places where humans and animals meet.

A film about longstanding relationships, family, and the deep consequences of falling in love. While exploring themes of love in music, poetry and art, the filmmaker reflects on his life and the journeys on which love has taken him. Now, a new journey will test him again, an intercontinental exodus to keep his family together. A real and intimate portrait about the complexity of love.

A recently released mental patient imagines himself living the lives of three different people he randomly encounters.

Filmmaker Peter Mettler embarks on a mission that takes him around the world. He is determined to record the diverse modes of transcendence that people in different cultures adopt in order to live life to the fullest. As he traverses civilization and wilderness and encounters a range of lifestyles and ideas, the filmmaker's mind-expanding trip around the world grows into a poem of images and sounds, reflecting the fragmented but alluring worlds it attempts to capture.

Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a therapist videotapes them. After Peter watches his tape, he views the tape of a troubled Armenian family, who gave their only son away for adoption when they arrived in Canada. Peter decides to visit this family, and he pretends to be their son, Bedros Deryan. The Deryan family welcomes him with open arms, and Peter tries to patch up the poor relationship between George Deryan and his daughter Azah.