Paper Heart

A small-time delinquent young man and a book saleswoman at home delivery, who occasionally engage in prostitution as a derivative of her work, try a way of coexistence on the basis of mutual freedom schemes.

A German scientist takes refuge in an unnamed South American country, and finishes the development of a weapon of mass destruction. Lesky, is assistant, is paid by a Chinese spy ring to abduct the scientist, and appropriate the weapon. Super agent Z7's mission is to find them and prevent that, which he does - at a cost of a number of lives.

This adaptation of Goethe's The Sorrows of Young Werther offers a chilly and remote view of love and its passions. The setting is changed to Spain, and Werther (Eusebio Poncela) has taken a job tutoring the son of an estranged husband and wife. The boy's mother is a surgeon and therefore a rather uncommon woman for her society. She and Werther gradually become romantically involved, and his feelings for her begin to run much deeper than is apparent on the surface.

During World War II, French Commandos join forces with a German officer in order to survive the African desert.

With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.

Three divorced men who share a flat live together without trouble until they hire a cleaning lady.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

1868. Revolutionary Mathias Sandorf is determined to oust the dictatorship oppressing his country. The people see him as their liberator. Denounced by his banker, Mathias is arrested and sentenced to death. He manages to escape and takes refuge in a fishing village where he prepares a new uprising.

Four Spanish women of very different origins and motivations work in Paris as handmaids.

While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.

The action begins in black and white, like a memory. Klaus is a Nazi military who has just failed an attempt on Hitler. Desperate, Klaus shoots and kills his children and then shoots at his pregnant wife and leaves her badly injured. Finally, attempts suicide, but at the last moment does not have the courage to pull the trigger, and flees on a motorcycle, having an accident ... The action continues in France. Jean-Claude is a handsome young man self-conscious about a malformation in his face. Jean-Claude lives with his parents, Jacques Bergé, an amnesiac man, self-enclosed and obsessed with Egyptian art, and Concepcion, a woman also closed in herself and obsessed with flowers from her garden, and apparently , suffering from paranoia.

Richard is a medieval nobleman. After his first wife dies in an accident and is buried in the family vault, he remarries and has children by his second wife. A mad longing for his first wife Leonor comes over him, and he sells his soul to the devil for a chance to get her back. But when she returns, she is a murderous vampire.

Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One day, a young runaway named Jimmy shows up at his door looking for work and a roof over his head. Reluctantly, Chino agrees to take him in and teach him the art of raising, breaking and breeding horses, until the pair finally begin to accept each other.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A bank employee, shy and skittish, is falling into the web of fear of the events he sees around him and the crime wave that seems to invade the city.