The Reason Why I Became Ill

When a woman whose job is to professionally date men disappears suddenly, a TV crew who wanted to film a documentary about women like her begin searching for her. Coincidentally, a salary-man who saw the disappeared woman and wants to meet her again is found and joins the crew. Together they follow the clues. She has an amulet, which looks like a small bag, which she always hangs from her neck. It contains a piece of the Berlin wall.

The next generation of Manzai duos compete in a fierce battle of wits and laughter, unleashing their best material for a chance at comedic glory.

With the Gyaos re-emerging, Gamera's ties to humanity have been severed with his bond to Asagi broken. Nagamine and Asagi investigate while an orphaned girl named Ayana discovers a new creature she names Iris. Nagamine and Asagi must reach Ayana before she takes her revenge on Gamera, who she blames for the death of her family.

Half a year has passed since the official approval of TOKYO MER. Kitami is racking his brains over the issue of a second doctor to replace Otowa, who has left the team in order to expand MER to ordinance-designated cities nationwide. Some members of the team want Hina to be promoted, but Otowa asserts that Hina should pursue her path of cardiovascular surgery. She felt the pressure that Hina could take Otowa's place, and she was troubled.

Romantic comedy about a school teacher.

In a world where giant robots are built and used for labor, a special police force of robots is created to handle crimes relating to these machines.

Suzuki’s world is shattered when his teenage daughter is brutally attacked. The assailant, Ishihara, son of a politician, brazenly mocks Suzuki as he throws him cover-up money. Angry, Suzuki finds he has no answer to Ishihara and in venting his anger, loses his daughter’s trust too. A sleep-deprived, crazed Suzuki goes to Ishihara’s school wielding a knife. He does not find Ishihara, but instead forms an alliance with an odd group of school misfits called the Zombies. The group’s elusive leader, Pak Sun Shin, decides to train Suzuki, who quits his job and embarks on a punishing programme to win back freedom for his daughter.

Popular TV screenwriter Mayumi Taniyama suffers from the dreaded writer's block. When producer Masaya Mukai asks for a screenplay written for him, Mayumi Taniyama offers to write one if he falls in love with her.

In the near future of a Japan, the ancient 'Act of Vengeance' is revived and professional executioners are permitted to kill criminals by the requests from their victims. People who are to be executed are notified of the execution time and date in advance and they are allowed to have their own guard.

An Asian anthology: Mirage, Aliwan Paradise, The Tree Of Life, and The Tokyo Game.

Kitagawa, a top salesman with an impressive record, is hiding a dark secret—he borrowed the 9 million yen of his record from loan sharks. One day, while being pursued by the yakuza, he escapes to a rooftop where he unexpectedly meets a mysterious elderly woman and an office worker. Soon, the rooftop transforms into a serene escape, as they find themselves playing nostalgic childhood games like "Kick the Can" and "Red Light, Green Light." But beneath the surface, all three of them are hiding a significant secret...

Yamamura Shuji (Tamaki Hiroshi) runs staffing "Family Romance Company" - a company that rents out people to act like their client's family members for occasions like weddings, funerals & meeting with teachers. One day, a customer, who wants to be loved by a family, comes to the "Family Romance Company." The customer's name is Tosaki Ryunosuke (Takenaka Naoto), who only has only one month left to live. Yamamura Shuji takes on the request of Tosaki Ryunosuke, but something which Yamamura Shuji does not expect occurs in the process.

A young man finds out that his ex-lover has only one week left to live, and with the help of angels, he scrambles to change his fate. A love story in which popular actor Yuji Oda starred in 1992 during his big break.

A documentary about the end of the student movement in 1972 and the lynching of Daizaburo Kawaguchi, a student at Waseda University. The documentary interweaves testimonies from japanese intellectuals and a short play, written and directed by Shôji Kôkami, about the murder.