Beethoven - Symphony No. 7

A concert-film using innovative cinematic techniques to set music to images. As conductor Herbert von Karajan didn't like the experimental style, he had the film re-edited severely before release.

Documentary film about Brazil around the year 1960 and how it is shaped by industrial and social upheavals. The film portrays people and landscapes, modern cities as well as the art and culture of the fifth largest country in the world, which encompasses numerous nations and cultures. The focus is on the structural changes, particularly in the capital Brasilia, which was rebuilt and inaugurated in 1960. From the perspective of a European observer, a picture of the country gradually emerges from a wide variety of impressions.

A film version of the ballet Giselle. Filmed in a studio, using innovative editing and cinematography to go along with the choreography, this film stands out from filmed stage-performances.

An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.

Serenade is a milestone in the history of dance. It is the first original ballet George Balanchine created in America in 1934, and is one of the signature works of New York City Ballet’s repertory. In its present form there are four movements: “Sonatina,” “Waltz,” “Russian Dance,” and “Elegy.” The last two movements reverse the order of Tschaikovsky’s score, ending the ballet on a note of sadness.