The Berenstain Bears Meet Bigpaw

The Berenstain Bears Comic Valentine is an animated television special based on the Berenstain Bears children's book series by Stan and Jan Berenstain. Produced by Buzz Potamkin and directed by Mordicai Gerstein and Al Kouzel, the program made its debut on NBC on February 13, 1982.

Hosted by Captain Kangaroo's Bob Keeshan, the episodes are half-hour animated adaptations of some of the most beloved children's books published at the time of airing, including How to Eat Fried Worms. Other episodes included Dragon's Blood and Ratha's Creature.

One of the most exciting and memorable stories in the history of the World Trade Towers is that of Philippe Petit, a French man who walked a tightrope between the massive monuments in 1974. Narrated by Oscar nominee Jake Gyllenhaal, this is an animated adaptation of the lyrical Caldecott Award-winning book by Mordecai Gerstein. Directed and animated by Michael Sporn, with music by Michael Bacon (of the Bacon Brothers).

Papa Bear and the cubs search the woods for the perfect Christmas tree, but run afoul of the woodland animals who live in the trees they aim to cut down.

Mr. Magoo is watching a TV program named "Home Roam" which examines the homes of various families and subsequently learns that he and Waldo have been scheduled to air on tonight's broadcast. Magoo proceeds to show the cameramen the various rooms and exhibits of his house. Unfortunately, his publicity is threatened by a burglar and his trained gorilla who break into Magoo's house and attempt to rob it. Of course, Magoo doesn't notice the gorilla (he even mistakes it for Waldo) and reassures the cameramen that Waldo will be all right even if he does have "the manners of a gorilla".

A very inquisitive Brother Bear is wondering why Spring is taking so long to arrive. With Easter approaching and a new arrival to the Bear family on the way, Brother looks for answers, and Mama teaches him the true meaning of Spring.

The tale as old as time follows a young woman who exchanges places with her imprisoned father under the watch of an unhappy creature.

The film depicts the memories of a room. As the camera holds on this unchanging environment, the occupants, spanning several generations, appear and disappear in vignettes of their lives. The people come and go–'the room' remains the same.