Glasgow Belongs to Me

Man, Monsters and Mysteries is a 1974 Disney educational animated featurette. It explains about man's intriguing questions about monsters, mysteries and even the enigmatic Loch Ness monster.

The life and work of the Scottish architect and artist Charles Rennie Mackintosh.

A story of youthful rivalry in a Highland fishing port.

Two visitors enjoying Scotland, an enthusiastic but inexperienced golfer improving on the world's greatest courses; his wife exploring spectacular places visited by the first known lady golfer in history - Mary, Queen of Scots. The commentary of Scot's actor Andrew Crawford links romantic past with sporting present in a film which captures the flavour of the country and its national game.

The story of Harris Tweed and its Hebridean homeland.

A look at the Scottish woollen industry.

The scenery and wildlife around Loch Lomond, Scotland, and the people who live and work there.

A year in the life of Youth Hostel workers and patrons in Scotland.

British Transport film.

A tour of the Scottish new town of East Kilbride.

Take an egg and make it your star. You don’t have to pay it too much. Make sure it doesn’t crack under the strain. Not breaking like an egg should it refuses to be crushed. When the authorities finally put pressure on it a malevolent revenge results.

A look at the work of the Scottish artists John Maxwell, Joan Eardley and Robin Philipson.

The passing of the seasons on Scotland's picturesque West Highland Railway.

A father murders his son's girlfriend.

Documentary focusing on the two most successful football clubs in Scotland; Celtic and Rangers. This film outlines the origins of the clubs, their accomplishments and the socio-economic importance of the clubs to their home city; Glasgow, Scotland.

The screening of the short film 'Faces' at the 1961 Edinburgh and London Film Festivals kick started the film career of young McConnell, then studying at Glasgow School of Art. 'Faces', a comment on the personas we adopt, was inspired by a visit to the Brussels Experimental Film Festival of 1958 where McConnell saw the work of many European film makers, films of a genre unseen at that time in Britain. Many were without words, telling their stories in a variety of genres, live action, animation, puppetry, and making social comments on their times.