Dagim

Destiny. Is it beyond our control? Or do we make our own? These questions and other musings about the past and the future set the tone as we sail into the year's most anticipated film about love and life. Six people are brought together on a seven-day cruise that will change their lives forever.

A group of government workers: their happy-go-lucky circumstance, failed responsibilities, and reckless work ethic. It delves into the world of a government agency where non-stop discussion of intrigues and personal frailties is the order of the day.

Miri is trapped in her past and this time her whole past comes crashing back into her life: old dead secrets, her dead parents, and even the walking dead. Miris return to Manila only brings her back to more trouble the personal kind. Even as a young girl, Miri believed she is responsible for her parents death and the guilt kept her from building healthy relationships with those around her specially with her younger brother Mark. Miri Alvarez, is one of the best agents of an international group organized to protect scientists and inventors from a tech-grabbing group called The Agency. But Miri is hot headed and refuses to follow orders. In one rescue operation, Miris refusal to follow protocol gets her long-time partner killed. Miri is suspended and sent back to Manila.

The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.

A common man in a world where everyone is controlled, limited and fearful, Julio encounters "a voice" whose instruction will go above and beyond that which the world had limited him to be. Julio now faces the dialectic of pursuing his newfound purpose, or remaining in the bleak acceptance of the constructed norm.