Ciao, Federico!

A documentary on Fellini’s lost alternate ending for 8½

A young man gets caught up in criminal activities in order to fulfill his desire for an easy life.

A journey behind the shooting on the set of Salò, a backstage by Gideon Bachman, recorded during the realization of the torture scenes, enriched by long interviews with actors.

Body Collage is a visceral "movement-event" from 1967, in which Schneemann paints her body with wallpaper paste and molasses, and then runs, leaps, falls into and rolls through shreds of white printer's paper, creating a physicalized corporal collage. "My intention was not simply to collage my body (as an object), but to enact movement so that the collage image would be active, found, not predetermined or posed," writes Schneemann.

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York. Against a backdrop of cultural upheaval in all of the arts and growing political agitation against the Vietnam War, Bachman interviews the most prominent figures in “underground film,” including Jonas Mekas, Shirley Clarke, the Kuchar Brothers and Bruce Connor, and visits the most notorious location in the New York art world of the era - Andy Warhol’s Factory - to conduct an interview with the genius of Pop Art himself.

A previously unseen behind-the-scenes documentary about one of Liliana Cavani’s most international films.

Gideon Bachmann documents the making of Fellini Satyricon