Staatsoperette

In spring 1999, NATO allies conducted a bombing campaign against Yugoslavia as part of the Kosovo War. The action was supposed to destroy Yugoslav military installations and was seen as a humanitarian operation. But the bombings were aimed around urban areas and civilians were killed as well. This documentary focuses on the everyday people -- regardless of their religious or political differences -- who suffered on the ground and became witnesses to the overwhelming tragedy around them.

Three stories by three directors, three journeys into the world of teenagers and countercultures. The stories are interlaced with each other. Characters with a small performance in one story will play a major part in one of the other two stories so we will learn more about them, on the other hand central characters appear again in the periphery of one of the other stories. It is done in a casual way, comparable with the situation in daily life when two friends are running into each other by chance. Petra and Nicole in their shrill world of brightness. Loafing around, bumming and teasing guys.

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved. Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

Claudia makes Katrin to work for her provider for Claudia's material security and to leave the "shitty work outside". They are both prostitutes. Katrin learns that the price for being independent is high and goes with physical destruction.

At the end of his life, Wilhelm Reich - psychiatrist and experimental scientist searching for the fundamentals of life - finds himself on trial, charged with deception. His dream of liberating human individuality makes him a dangerous opponent of an American system that is striving after 1945 for global hegemony, using all available means. Was it madness to believe in man's liberty or was Reich simply in the wrong place at the wrong time, and, being a holistic global thinker, accurately observing far-reaching socio-political linkages? Ten years after his mysterious death, his writings, once burnt by the US FDA, become an important source of inspiration for a '68 generation in revolt. Written by Novotny & Novotny

Vienna, Austria, 1910. The young painter Egon Schiele is a rising artist, provocative and free, whose work, characterized by eroticism, shocks as much as it fascinates art lovers.

Ulrich believes that affairs can't harm a truly good marriage. That's why he's set his sights on the attractive Jutta. Jutta believes that his life so far can't be all there is to it. That's why she's set her sights on Ulrich. Sigi believes that his marriage to Jutta could be in jeopardy because of this. Therese believes Ulrich is intelligent enough not to completely succumb to his sexual urges. But she's wrong.

Viennese vegetable merchant Karl Kassbach becomes a member of a right-wing extremist organization, which plans numerous attacks on democratic institutions and journalists. The film attempts to portray a realistic and detail-oriented study of the mind of the "Kleinbürger", trapped between the fringes of the lower and middle-classes.

While working a job at an exclusive ski resort to support her Dad, Kim learns to snowboard and is so good at it that she enters a competition with a huge cash prize. She has to dig deep to overcome her fears, but her life gets more complicated through her spoken-for boss, Jonny.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

When terrorists try to seize control of a Berlin-Paris flight, a soft-spoken young American co-pilot struggles to save the lives of the passengers and crew while forging a surprising connection with one of the hijackers.

Plachinger and Kirchhoff, the heroes of Franz Novotny's 1980 comedy "Exit - Do Not Panic" meet by chance after ten years and spend a night together in which they attempt to be as they were in the old days: anarchistic and orgiastic.

Josef "Schmutz" (german for "dirt"), a security guard obsessed with duty and cleanliness, is given the task of guarding a decommissioned industrial plant. While maintaining his devotion to the authority of property right, the self-proclaimed "Representative of Ownership" is himself slowly losing his sense of reality.

Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.

Horror comedy film following vampire count Geza von Kösznöm who's visiting groundbreaking neurologist Sigund Freud because he's bored of his life and frustrated of the "eternally long" relationship with his wife Elsa.

Three couples in Vienna have children at around the same time. They're all in their mid-30s, successful, cool and live in a popular part of town. As idealistic as they are materialistic, they grow tomatoes on the balcony, drink locally roasted coffee and expensive cocktails and would never buy an electronic device sporting a half-eaten apple. And they're absolutely certain that you can have children without becoming bourgeois. But the reality tells a different story. Between career and kindergarten, Apple and alternative lifestyles, the satire plays cleverly with hipster clichés and mercilessly points up the gap between the old self-image and the new bourgeoisie.