Angélica. Una tragedia

Spain, 1982. Marisa decides to take her daughter to Madrid to find a solution for an unwanted pregnancy. Lucia ends up in Peñagrande, a reformatory for pregnant teenagers. There, she will forge strong friendships with the other girls and discover the awful truth that her still unborn child is to be taken away from her.

Two years after the tragic sinking of a fishing boat that shook a small seaside town, members of the rondalla, a traditional Galician music band, decide to get back together in the endeavour to recover their enthusiasm and leave the grieving behind.

La Cañada Real, on the outskirts of Madrid, is one of the largest illegal shanty towns in Europe. Tonino, a 15-year-old Roma boy, has always lived here with his family. With his best friend Bilal, they film the world around them using a mobile phone, inspired by the gypsy legends he hears at home. But everything falls apart when a notice of imminent eviction arrives at his home and he discovers that his best friend is leaving La Cañada for good. Tonino finds himself torn between the dream of a new life and his attachment to his family and roots.

Sara, Lucía, Sofía and Claudia are sisters, 4 modern women with very different personalities, who come together at their mother's funeral, after which they discover the man they've all called "dad" throughout their lives is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope.

Mónica Valenciano, winner of the National Dance Award, is a dancer and choreographer who, while preparing her next production, spends her days between the countryside and the rehearsal room. Her meetings with Raquel allow her to explore the possibilities of a dance in which the body has no greater significance than the word, an introspective dance inspired by the grace of spontaneous gesture. No intention, no discourse, nothing to explain. Just attention and present.