Pedro Noula

Sergeant Kormas is investigating the murder of a colleague, unearthing a dirty conspiracy where organized crime and law enforcement are two sides of the same coin. Tough men, femme fatales, cheeky one-liners and a hero who becomes the victim of his own choices, i.e. all the basic noir ingredients, are present and accounted for

The story takes place in a port controlled by Charlie the Greek and his criminal band. There are two things Charlie hates: drugs and homosexuality. But both are part of his life: he is madly in love with Joy who is a junkie, though he denies it even to himself. And regarding the homosexuality issue, his right hand, Tony, has an amorous relationship with a transsexual who is part of a group of trans-prostitutes. Ignoring Charlie's adamant orders, the transvestites work the streets around the port, with the help of Tony, who secretly supports them

Following the mystery of their deaths, Father and Son are reunited in Tranzit, an arid and desolate non-place, a kind of contemporary Dantesque limbo regulated by abstract mathematical principles, where the dead face a dilemma: accept the dematerialization process or remain in indeterminacy forever. Here the memories of the Father, are confused with those of the Son, rekindling old conflicts. Trying to bring order to the past and shed light on what led to his death, the Father relies on his knowledge of mathematics to pursue a crazy idea: to come back to life.

Two couples of different ages get involved with each other: the younger ones see the deadlocks of the older ones as a gloomy possibility, while the older ones are “renewed” but also immersed even deeper into their own deadlocks. Time does not go back, mistakes are not corrected, and relationships end up cannibalistic.