A Sunday in the Country

My Journey Through French Cinema (2017), Bertrand Tavernier’s César-nominated three-and-a-half-hour tour through French film history, was too short to introduce audiences to all that he wanted to share. In this new eight-part series (8x55min), the acclaimed director of such films as Coup de Torchon and ‘Round Midnight guides us through a roster of filmmakers both influential and forgotten, explores how his country’s cinema was shaped by the German occupation and changed again through the New Wave, spotlights little-known female filmmakers, and more. Subjects include: René Clément, Henri-Georges Clouzot, Julien Duvivier, Henri Decoin, Claude Autant-Lara, as well as composers who made movie music an art in and of itself, far from the Hollywood spotlight.

A collection of restored prints from the Lumière Brothers.

Enigmatic gangster Silien may or may not be responsible for informing on Faugel, who was just released from prison and is already involved in what should be a simple heist. By the end of this brutal, twisting, and multilayered policier, who will be left to trust?

In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

Barny, although a Marxist, is intrigued by the mysteries of religion. In confession, she teases a priest, Léon Morin, but he is a young and intelligent man and ready to discuss anything.

In a mining town which has been blighted by economic downturns, an elementary school headmaster struggles to obtain social services on behalf of his students.

In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition.

Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.

A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life, and resorts to drastic means to achieve it.

After several days without seeing Sylvie, the object of his desire again, a nameless law student becomes involved with Jacqueline, who works at the local bakery. Eventually, he has to choose when he arranges dates with both on the same day.

Michel Descombes is a watchmaker who lives in Lyon with his teenage son Bernard. When the police visit and inform him that Bernard has killed a man and is on the run with a girl, Michel realises that he knew far less about his son than he thought.

France, 1893. Joseph Bouvier attempts to shoot his love who refused to marry him and to commit suicide. Upon release from the filthy asylum where he was placed, with bullets still remaining in his head, he wanders the country roads and rapes and murders many teenagers over years. The judge Rousseau captures him, but to serve his ambition seeks to avoid that Bouvier is simply declared insane.

During the Nazi occupation of France, two filmmakers try to build a career without compromising their ideals.

In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.

A look at 18th-century France, when the depravity of the authorities contributed to social oppression, and the uprisings flared up one after another.