Mnasidika

Continuing his quest to rid the world of sex-crazed females, Richard ups the ante - and bodycount, devising an array of increasingly gruesome methods of dispatching his victims all while planning the ultimate revenge against his wife's lover, Steve.

Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife's sister, Maria, is hellbent on putting an end to his orgiastic rampage.

A famous movie star filming on location in Buenos Aires becomes involved with a Manson-like cult. Years after this flopped at the box office, it was purchased by Michael Findlay and became the backbone for the notorious film Snuff (1975).

Man drugs, photographs & tortures women he meets by personal ads.

Richard Jennings returns from a business trip to discover his wife in bed with a lover. Panic stricken, he staggers to the street and is hit by a car, losing an eye. Scorned and vengeful, he adopts a new identity and begins a murderous rampage against all women he deems "immoral."

List film. A soft-core film that explores the subject of bisexuality.

Henpecked misogynist Richard Davis murders his shrewish wife and goes out to dispose of her corpse. However, things go awry for Richard after he's abducted by a pair of insane lesbians who take him to their house where they keep a grown woman called Baby in a crib.

An anthropology professor has invited his class to a remote cabin in the mountains to research the mythical Abominable Snowman. Soon after they arrive, strange events begin to befall the students, including sightings of a huge, white, furry creature.

A sadistic teenager searching for "Daddy" murders and dismembers anybody who picks her up hitch-hiking.

A man's sexual obsession with a neighbor ends in bloodshed.

At a Senate crime hearing, four young girls testify as to how, shortly after their arrival in New York, they became "zero girls," also known as "party girls".

A young Japanese girl arriving in New York City gets mixed up with mobsters and dope dealers.

A stripper is kidnapped by a drifter and taken to the home of a wealthy pervert. The pervert proceeds to strip her and beat her with a whip. She escapes, and he has to track her down and kill her before she can notify the police.

Shot without sound, this is little more than a series of soft-core vignettes strung together via narration. Not a highlight in the careers of NYC sexploitation filmmakers Michael and Roberta Findlay.

Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."

Somewhere in upstate New York, a young woman is terrorized by a group of rural farmers primarily interested in a harvest of blood.