Si las mujeres mandaran (o mandasen)

The gentle Spanish comedy Yo soy Fulana de Tal (1975) tells the story of a prostitute who rises from the poor side of town to become a revered member of the community. Along the way she befriends an elderly paternalist artist and also gets her revenge on those who mistreated her in her youth.

Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.

Special agent Becker is after a briefcase that rather cleverly disguises some secret documents.

A group of people take shelter from the storm in an old spa served by a marriage and a servant. It is a very diverse group, highlighting a man who, with his wife, carrying a briefcase full of money. At night, at dinner in honor of the newcomers is a power outage and shortly afterwards, they realize that the man with the briefcase has been murdered.

The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.

"La Bella Lola" is a struggling singer trying to make a living for herself and her sister Ana in late 19th Century Spain. Lola is having an affair with Gabriel, a rich and influential older man who gives her jewelry and supports her singing career. Things change rapidly when Lola meets and falls in love with young playboy Javier, although the romance is doomed from the start. Javier belongs to an aristocratic family and has a bright future as a politician.

Police are alerted to a series of murders all surrounding an old cabaret.

A Spanish couple emigrates to Germany looking for employment, in a desperate attempt to reconcile their marriage. The only work they can find, however, is in a castle inhabited by a strange baron, who is actually a vampire.

Separated by continents, twin sisters Marisol and Mariluz live worlds apart—one in Madrid with her struggling mother, the other in Rio under the care of a wealthy uncle. When Marisol’s mother sacrifices everything to reunite the family in Brazil, their arrival threatens a sinister scheme: Mariluz’s governess and her lover are plotting to steal the uncle’s fortune. With the truth unraveling and danger closing in, the twins must fight not just for reunion—but for survival.