Si las mujeres mandaran (o mandasen)

The gentle Spanish comedy Yo soy Fulana de Tal (1975) tells the story of a prostitute who rises from the poor side of town to become a revered member of the community. Along the way she befriends an elderly paternalist artist and also gets her revenge on those who mistreated her in her youth.

Taxi driver Tadeo is about to encounter a busy shift. Throughout the day heterogeneous characters get into his taxi and the most varied situations arise. One of them leaves a baby in the taxi and Tadeo must find out where the little one belongs. He tackles this daunting task while keeping in the back of his mind that at the end of the day he has an appointment with a mysterious woman who apparently needs to tell him something very important.

Special agent Becker is after a briefcase that rather cleverly disguises some secret documents.

The unstoppable ambition of a young lover of the bullrings and the support of her sister and a friend, will enable him to become a great figure of bullfighting, overcoming the various barriers that every torero finds when entering the world of bullfighting .... Pedrin, the son of a newscaster, decides to be a bullfighter and, after the death of a partner, struggles to succeed in the bullrings.

A group of people take shelter from the storm in an old spa served by a marriage and a servant. It is a very diverse group, highlighting a man who, with his wife, carrying a briefcase full of money. At night, at dinner in honor of the newcomers is a power outage and shortly afterwards, they realize that the man with the briefcase has been murdered.

The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960

The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.

"La Bella Lola" is a struggling singer trying to make a living for herself and her sister Ana in late 19th Century Spain. Lola is having an affair with Gabriel, a rich and influential older man who gives her jewelry and supports her singing career. Things change rapidly when Lola meets and falls in love with young playboy Javier, although the romance is doomed from the start. Javier belongs to an aristocratic family and has a bright future as a politician.

Elena is a writer and is in a relationship with a painter, Fernando. Charo works as a waitress in a hotel and continues to dream of John Sargent, her platonic love, although when she discovers that the actor is gay she returns to her boyfriend Luis. Mara, a model, and Miguel is dating a sick man much older than them. Eugenia is a haute couture dressmaker and cares for her niece Soledad, who wants to be a singer. All of them have ambitions of love, but none is happy with their current situation.

Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.

A Spanish couple emigrates to Germany looking for employment, in a desperate attempt to reconcile their marriage. The only work they can find, however, is in a castle inhabited by a strange baron, who is actually a vampire.