Sandalang Bahay

A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.

Emmy and Vince started out as casual friends in their college barkada until parallel events in their lives drew them closer to later become the best of friends. This is despite their opposite personalities Emmy is driven in her career and domineering among her friends but possesses a heart of gold, while Vince is the ever-cool type of guy who has this laid-back attitude towards life. Although not being physically close to and not constantly communicating with each other for extended periods of time, they manage to affect and influence each other's lives over the years until they find themselves falling in love with each other. Fearful of losing the friendship they have invested much on, they choose not to let the other know of their true feelings.. until much later on.

The daughter of a circumciser rebels and challenges the status quo when she is asked to take over her father's job.

Three generations of women, who run a destitute eatery, navigate through life in the slums with their love potion-laden dishes that mirror their desires and affection.

"Hubad"'s raw and sexually candid theme faces funding obstacles from the Manila Arts Council, a funding organization for the arts. But in his resolve to bring the production to stage, the director Andre refuses to tone down the play's uncompromising language. To his two fading stars, Carmen and Delfin, the intimacy of "Hubad" precipitously unlocks their waning libido. They find their way into an emotional reprieve from their stale marriages and into a full blown affair. The heart of the story is seen through the prism of the play. In the film's final scenes it is the stage that provides the actor's catharsis for self-discovery and personal redemption.

An ode to Rogelio Sikat’s classic Filipino short story “Impeng Negro,” about a boy who is both Filipino and Black.