The Somnambulists

In this fondly remembered mini series John Byrne, creator of Tutti Frutti, explores the country music scene in an unsentimental portrait of Glaswegian life and culture. Local food and wine correspondent Frank McClusky falls in love with waitress Cissie Crouch. Unfortunately for him, she’s the wife of a convict, who is serving time for a crime he didn’t commit. As Frank’s life becomes more embroiled with Cissie’s he goes on a mission to track down the guilty men.

Three blondes from another planet land on earth to conduct research into romantic love

An astronomer enters into a destructive affair with a photographer.

Wayland returns home after being badly injured in the war in Afghanistan, the legacy of his injuries are epileptic seizures. To compound his sense of isolation his daughter has vanished without a trace. He is determined to find her. His investigation uncovers a dark, sinister world where nothing is quite what it seems. His quest becomes not only about finding her but also about discovering who and what he has become. Wayland is looking for something he left behind in the killing fields of Helmand Provence, his humanity and his soul. Waylands Song is an adaptation of the classic Northern European parable. Wayland is crippled by his masters so he can never take flight and escape for which he takes a bloody and violent revenge.

Gentle Colin 'Col' Lawes happily lead a quiet life, running a news agency with his soiled-rotten wife Sandra and playing competition darts in the Atletic Arms team. Colin catches her committing adultery with team captain Geoff, a cop, who pretends Colin abused her. Col is thrown off the team just after it qualified for the league finals in Blackpool. He decides to travel there alone, hoping to win her back.

The true story of the rise and fall of Creation Records and its infamous founder Alan McGee; the man responsible for supplying the “Brit Pop” soundtrack to the ‘90s, a decade of cultural renaissance known as Cool Britannia. From humble beginnings to Downing Street soirées, from dodging bailiffs to releasing multi-platinum albums, Creation had it all. Breakdowns, bankruptcy, fights and friendships… and not forgetting the music. Featuring some of the greatest records you have ever heard, we follow Alan through a drug-fuelled haze of music and mayhem, as his rock’n’roll dream brings the world Oasis, Primal Scream, and other generation-defining bands.

Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their next target is Sean Macdonald a parentless teenager who lives with his sister on a housing estate on the outskirts of Edinburgh. She's in debt, he's going nowhere fast. Sean agrees to play for cash.

16 Years of Alcohol is a 2003 drama film written and directed by Richard Jobson, based on his 1987 novel. The film is Jobson's first directorial effort, following a career as a television presenter on BSkyB and VH-1, and as the vocalist for the 1970s punk rock band The Skids.

The story of martial arts clubs who have created their own city infrastructure after tiring of government initiatives. Responding to the greed and corruption creeping into the other clubs, headed by capitalist-wannabe Moses, The Purifiers battle to maintain the successful system which has rid the city of crime and violence.

Nine short stories based on the true experiences of London Underground passengers: "Mr. Cool" (Amy Jenkins, dir.); "Horny" (Stephen Hopkins); "Grasshopper" (Menhaj Huda); "My Father the Liar" (Bob Hoskins); "Bone" (Ewan McGregor); "Mouth" (Armando Iannucci); "A Bird in the Hand" (Jude Law); "Rosebud" (Gaby Dellal); "Steal Away" (Charles McDougall)

In March 2010 Punk Legends The Skids reformed for the last time to play the famous Alhambra Theatre in Scotland. The gig was the culmination of a months retrospective celebrating the music, films and words of Skids front-man Richard Jobson. A sold out gig was caught on film by the team Jobson uses to shoot his movies. The result is a high energy performance that captures everything that was great about one of the best loved bands to come out of the Punk/New wave era. The film is inter-cut with an interview with Jobson on stage by crime novelist Ian Rankin.