Het zwijgen

In 1990, the beheaded body of a young woman was found in a Rotterdam canal. The body remained unidentified until 2008, when new DNA techniques revealed that the victim was the American model Melissa Halstead. A joint investigation by the Rotterdam cold case unit and their colleagues in the United Kingdom led to John Sweeney. Sweeney is known to have a tumultuous relationship with Halstead – as evidenced by the many lurid drawings he made during their time together in Amsterdam.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Dicky bears the full weight of the small, financially unstable family circus on her shoulders. She has an ambivalent relationship with her brother-in-law Willy, who is the widower of Dicky's deceased sister Jena. Dicky takes care of Willy's little son Timo, and treats him as if he is her own son. When Willy's parents suggest Timo should go to a boarding-school to get a normal education, Dicky is very much upset. She cannot understand why Willy doesn't support her and why he thinks of putting his own son away. Young Tunisian tent builder Tarek has just arrived to work in the circus. Because Willy drinks a lot and often gets aggressive, Dicky spends more and more time in Tarek's company. Slowly but surely already faltering relationships start disrupting the circus. Dicky realizes that she must make a drastic choice. This is not the choice between the two men in her life, but between her love for little Timo, her loyalty to her family and the circus, and her own personal freedom.

A unique maritime historical document in which three sailors' wives, aged between 86 and 94, candidly recount their remarkably emancipated lives in the 1950s, 1960s, and 1970s. They raised children, managed the household and finances, bought houses, and made major decisions without consulting their seafaring husbands. They enjoyed, so to speak, unprecedented autonomy in a period when strict gender roles still prevailed.

6 February 1998, Port Arthur, Texas: Erin is home alone. She is about to watch a film when a masked man suddenly appears in the living room. She thinks it’s a friend joking around. 12 June 2013, Huntsville, Texas: In Huntsville State Penitentiary, preparations are underway for execution #499. A little after 6pm, Elroy Chester will be executed by lethal injection for the rape of Erin and Claire DeLeon and the murder of their uncle, fireman Billy Ryman. Killing Time reconstructs an old murder, and shows the impact on the family members and victims during the day of execution. The family of the victims and the prisoner, the guards in the towers, the pastors, the journalists, the handful of demonstrators: everyone has his own way of killing the last few hours of Elroy Chester’s life. Where one yearns for the long-anticipated closure of the case, the other faces oblivion

“There Is No Path” follows legendary director Heddy Honigmann on a real and spiritual journey. Today, facing a terminal illness, she will travel to her country of birth, Peru and through Europe revisiting all the important places and moments of her life, richly illustrated with clips of her films. Is it a farewell journey in which she lets go of her family, her loved ones and her work? Or is it a celebration of life? Her travelling companion is taxi driver Hussein, a refugee from Iraq with whom Heddy has a tight bond. As they trace Heddy’s family history they find many common themes. They are no longer taxi driver and customer, but two souls who each find joy in life in the face of adversity. It is a life affirming film about universal connection and comfort.

The Gert & Hermien Story shows the rise and fall of one of the most popular singing duos in Dutch history: Gert & Hermien Timmerman. Their career has seen great heights and deep valleys. Their personal lives, which were marked by scandals, were always widely covered in the tabloids. Daughter Sandra, along with some other intimates and confidants of Gert and Hermien, is our guide in the unlikely story of her narcissistic, manipulative father and driven mother.

Kees suffers from Parkinson's disease. This puts pressure on his relationship with his beloved Carmen. If a cure is not forthcoming, an almost inhuman, devilish dilemma presents itself.

Based on inside interviews, a picture is painted of one of the most discussed government teams in the Netherlands: the Den Uyl cabinet between 1973 and 1977.

We think we know what ethnic profiling is, but what does it feel like? Dutch citizens report on at times bizarre and disconcerting experiences with police checks, where their skin colour routinely makes them suspicious. For years, the police has been aiming to proactively execute security checks in order to arrest more riff-raff. But practise shows that Dutch people with a migration background are regularly stopped without any suspicion of criminal offences. Poignantly, the teacher, the soldier, the lawyer, the rapper, the fellow police officer and other coloured Dutchmen talk about helplessness, frustration, humiliation, alienation, anger and what it feels like to be a suspect from the start. Wry, but insightful indictment of ethnic profiling.

Documentary about the role of public broadcasting during the German occupation during the Second World War. A number of public broadcasters adopted a cooperative approach, allowing them to be used as a propaganda apparatus for the Nazis. An attitude with very far-reaching consequences.

"What does the animal see when it looks at me?" Three animals and a woman in an enclosed space. As they study each other, their own methods of communication create a wordless conversation. We view them in close-up and from various perspectives, with the woman as a solitary species in this universe.

Five people talk about how easy it is to build up and how difficult it is to get out of it again. They fall ten prey to the powerful industry. Fines and extra costs make them so aware that they can no longer be solved on their own.