Lourdes

Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…

Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.

Heinrich wishes to conquer death through love, and when he meets Henriette, the wife of a business acquaintance, she expresses interest in a suicide pact when she learns she has a terminal illness.

History professor Baisch, his depressive and tablet-addicted brother-in-law Anzengruber and a manic cabaret artist have a car accident on a remote country road after a party. Wedged between two trees they get stuck, doors and windows can no longer be opened, the windows made of bulletproof glass cannot be smashed. Injured and with no chance of escape, they wait for days for rescue. Their only provisions are a bowl of herring salad and a few bottles of Prosecco. Fits of rage and fear alternate with overwrought hilarity and desperate fits of crying. But it gets worse...

Miss Novak joins the staff of an international boarding school to teach a conscious eating class and forms a strong bond with five students that eventually takes a dangerous turn.

Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.

Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna's vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question - the blind spot that resides in all of us.

When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace.

Johannes, a new assistant at the university, is asked to provide reports on an Algerian colleague - who is suspected of being a sleeper. He refuses, but the seed of doubt has been planted. A fragile friendship which is overshadowed by professional and emotional competition eventually leads to betrayal.

Rita is an outcast teenager in suburban Austria, misunderstood both at school, where she's disdained by classmates, and at home, where her staunchly religious mother and temperamental father bemoan her inability to fit in with their comfortable bourgeois life. When Rita sets out to seduce her school bus driver, she sets in motion a series of events that changes everyone's lives irrevocably.

This video installation pays unnervingly close attention to domestic routine, portraying a young woman in the kitchen methodically preparing food. This quotidian ritual slowly comes to feel like a sort of obsessive sublimation of more obscure psychic energies.

Twenty-eight well-known filmmakers living and working in Austria were invited by WIENER MOZARTJAHR 2006, to produce associative miniatures on Mozart. Requirement: they had to be one-minute artistic short films. The directors come from a whole range of different backgrounds, ranging from animated, experimental and short film to documentaries and feature films. The result is a multi-facetted sampler of diverse formal and contextual positions with regard to Mozart’s person and his influence on today’s society, art and culture. The contributions run the gamut from experimental-conceptual statements through socio-critical and documentary observations to pithy short feature films.

A compulsive gambler is forced to take a chance with his own life

The heroine of the title grows up. Slights, dance school, a cinema of glances, of tender moments, of trivial pop songs. A cinema which takes time, makes observations and which continuously finds or invents opposite picture sequences for loneliness and breaking free...

When breaking into an electronics warehouse, a member of a young gang is injured and left behind by his companions.