¡Bruja, más que bruja!

Spanish television anthology series broadcast in 1971, composed of standalone episodes inspired by popular Spanish sayings, portraying everyday situations with social and comedic undertones.

A prestigious, elderly actor performs a monologue about a thespian who is reminiscing about his life. Involuntarily, he begins to recall his own.

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

The famous couplet singer Mimi Pompon leaves everything to marry Heriberto Promenade, a wealthy merchant of Limoges with five marriages behind her. Of course Mimi has also been widowed five times. Saintpaul, an astute police, suspicious of so many accidental deaths and closely monitor both the mansion. Gradually, we discover that Heriberto, fearing that their wives may betray him, the killer, always with the complicity of her mother.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

In a small town near Madrid, Paquita and her brother Venancio, both single and with a childish personality, live under the shadow of their bossy older sister, Ignacia, a grumpy old maid.

Trini, a gipsy girl, and her uncle Regalito are tried for the theft of several hams. Some time later, she presents herself, disguised as a maid, at the house of her former prosecutor, who ends up falling in love with her.

In 17th-century Spain, Lucas Trapaza is a lazy liar and con artist who does everything he can to live off others.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.