Can You Hear Me Thinking?

In the breakfast room of a country house Flora and Edward are placidly finishing off breakfast, comfortably disputing as to whether the honeysuckle or convolvulus is in flower, and joining forces to drown a wasp in the marmalade jar. When a stranger appears at the garden gate his presence both disturbs and fascinates them.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

In 1919, Major Brendan Archer arrives in Ireland to reunite with his fiancée, Angela Spencer. Unfortunately, the family home, The Majestic Hotel, is a decaying shadow of its former self, as is Angela. Puzzled by the changes, Archer's attentions are soon drawn to her lively friend, Sarah Devlin, a passionate Irish Nationalist. They fall in love, but the Major soon discovers some disturbing aspects about their relationship, which threatens to explode into violence, destruction, and murder.

A reluctant teenager accompanies his family on a day out to a local beauty spot.

Ellis Cripper has lost his money and his memory; in different ways he tries to make sense of his situation.

In World War II England, a woman is approached by a man claiming to work as an intelligence agent who has found out her lover is a spy. He promises to not arrest him if she'll have a relationship with him.

A grown-up brother and sister's visit to their parents home culminates in a shocking tragedy. The events of the weekend are told over four episodes, each focusing on the point of view of one family member: the daughter Terry; the father, Ted; the son, Alan and finally the mother, Sarah. The full story of the dysfunctional family plays out through the use of repeating scenes, flashback, and monologue.

An English playwright sacrifices his health waiting for his play's make-or-break opening on Broadway.

The quiet life of Oxford professor James Westgate is shattered when he is introduced to Penny, the wife of his crass new colleague.

Filmed in India, Rumer Godden’s story has been adapted and directed by the Jewel in the Crown team. Two English schoolgirls arrive in New Delhi, 1959. Their diplomat father has secured them a beautiful Eurasian governess. 15-year-old Una suspects an ulterior motive. But her father’s affairs take second place to her own when she has a secret affair with the Indian gardener.

NET Playhouse is an American dramatic television anthology series produced by National Educational Television. NET subsequently merged with WNDT Newark, New Jersey to form WNET and was superseded by the Public Broadcasting Service. American television anthology series of wide range of genres, from history and drama, to fantasy, and science fiction. Fiction novels, stories, stage plays, fairytales, and historic events are dramatized in each episode.

Z-Cars or Z Cars is a British television drama series centred on the work of mobile uniformed police in the fictional town of Newtown, based on Kirkby, Merseyside. Produced by the BBC, it debuted in January 1962 and ran until September 1978.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Anthology drama series.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Series of single made-for-television dramas.