Invitation to the Waltz

In this comedy, a talented singer is hired to dub the voice of a star who has lost his own. During the film's premiere, news that he sang the songs slips out and suddenly he finds that he himself has become a star. Unfortunately he soon encounters unanticipated problems. He is especially concerned about his girl friend who dumped him in favor of the voiceless star.

London socialite Cathleen Paget's adventures in love and misfortune a year after the death of her husband. Ivor Willington and Lionel Jesop play cards for who will be given the shot at flirting with Paget, as to claim her wealth. But when her brother Bruce has lost the family fortune in bad business, Cathleen is suggested to court Nordic giant Birger Holm. The two marry and the families financial problems seem to be at bay, although the life in the northern Sweden is wearing Cathleen down as she misses parties, friends and dancing at the Savoy Hotel.

Here Richter plays an Armenian princess whose father is being held prisoner by a despotic and corrupt pasha. A confrontation at the New Year’s Eve Ball at the Paris Opera leads to the princess being wrongly suspected of attempted assassination against the pasha. With the help of an English diplomat, she manages to flee Paris, but the pasha and his henchmen are hot on her heels. This marks the start of an extended, action-driven cat-and-mouse game that stretches to the outer regions of the Bosporus – and back again.

The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.

Dante, the great conjurer, performs at the Café Grans, a fashionable hotel-restaurant. Face to a dumbfound patrons he does his most famous tricks among which card manipulations or sawing a woman in half.

John and Ulla are happily married and live in the villa Fridhem. Via telegram, John gets the news that his dreaded mother-in-law will come to visit.

Heinrich Zentler is a successful man, both on football and in his legal career.

About the wealthy Mr Markurell and his son, Johan, who is closing in on his graduation, and their life in the city of Wadköping. German language version.

A handsome barber in Sweden doesn't know he's actually the Crown Prince of a Balkan kingdom in this charming Swedish-German comedy that effortlessly weaves together multiple Ruritanian tropes.

The young married couple Sigvard and Isabella Löfgren are constantly being sought by different companies where they are trading on the bill. Sigvard is a traveling salesman and Isabella works as a secretary at a theatre agency seeking artists for a revue.

Franck Crighton is a millionaire who is fed up with his hectic life. To have a bit of peace and quiet he has found the winning formula, passing himself off as Guillaume Aribeau, his own secretary. Under the cover of this modest condition Franck can both lead a freewheeling life and find true love.

Mr Markurell the innkeeper has great aspirations for his son and he doesn't hesitate to pull a few strings to ensure his son's success at school, causing great scandal in the process.

Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.