Nightlife

Oscar runs away from prison only five days before release. He droves off with his girlfriend to Split in a red car, so they could go to Italy and then to America. They meet photographer Jan, and thus their final destination seems every so closer. As police is on their trail, Oscar starts to suspect Jan...

Half-sisters from a small coastal town who were never that close are forced by circumstance to share a flat in Ljubljana.

Thirteen year-old Alex went on vacation to Serbia. For four years, he was unable to return home to the country where he was born. He stayed on “vacation” for twenty years.

Ulay is a conceptual artist whose photography pushed boundaries, and whose love affair with Marina Abramovic produced some of the best pieces of performance art. Diagnosed with cancer shortly after agreeing to film the documentary, Ulay's illness informs Project Cancer, which is part-retrospective, part-visual document of the year he believed could be the last of his extraordinary life.

Peter is in his early forties and until recently he worked in a factory, but after Slovenia's integration into the European Union, the factory closed down and Peter and his colleagues have been made redundant. Slowly but surely, he is losing self-confidence and self-esteem.

Embittered widower, Ludvik, spends his nights transporting illegal refugees in his van from Croatia, across Slovenia, and into Italy. The young and inexperienced Rudi acts as his helpmate. Together they become a well-trained duo who almost every night convey "spare parts" to Italy. Of course the story of their illegitimate exports into Europe ends tragically, for everyone. The whole idea of this account is that everyone - including ourselves - is looking for happiness: the "spare parts" because of the misery they are plunged into without, and our characters because they can't find it inside

Tanya is 35, with a successful career. Her husband Mare is an architect. One Friday, Tanya comes home late at night. Mare confronts her and they exchange some edgy words; Mare is clearly jealous, he loses control of himself and slaps her in the face. Obviously, it is not the first such incident. Tanya locks herself in the bathroom. They continue their conversation over the locked doors. Mare calms down, but when Tanya comes from the bathroom, he becomes abusive again. The noise wakes up a neighbor who reports them to the police. The police arrive and the couple calms down. When the police leave, the couple resorts to psychological abuse. What follows is the night of hateful and skillful twisting of words that unveils, step by step, all the dark secrets of their relationship. Behind a facade of a successful couple, there are suppressed feelings of inferiority, weaknesses, deceit, frustration and traumas from their youth.

Aleksandra is a student from Krško, a small town in Slovenia. She has a plan to conquer the world. Working as a prostitute, her life is heading to where she wants it, but an accidental death has her wrestling with new feelings of fear, loneliness, confusion and responsibility

Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.

Twenty-five films from twenty-five European countries by twenty-five European directors.

OHO is considered one of the most interesting, complex and important examples of post-war avant-garde art in Central and Eastern Europe. After achieving major success as one of the first from Eastern Europe to exhibit at New York's MoMA, the group disbanded in 1971. OHO was not just an art collective but a unique cultural phenomenon that explored the visible and the immaterial through art, philosophy, sociology, science and coexistence with the earth and nature. Already in the 1960s, the group was raising relevant questions about anthropocentrism, ecology and the economics of the art. This documentary about OHO by Damjan Kozole is rich in never-before-seen archival material and, for the first time, comprehensively presents this inspiring phenomenon of intertwining art and life. - Slovenian Film Database

Architecture is not a static but a dynamic, living thing. Similarly film is highly suited to represent and experience architectures as spaces, as stages for human encounter and interaction. In this series of short films architecture becomes animated, even transformed, with social input. Similarly it serves to animate its viewers/occupants -- architecture as stage and actor both. (Good) built projects in Slovenia generally follow a well-thought and focused approach and execution. They are, relatively speaking, of modest size. They are small not in scale nor ambition -- but small as in contained, disciplined, intelligent and specifically responsive. With room for a smile.

This film is a homage to the life, career and fears of Slovenian actor Peter Musevski. He was always Pero for me, not Peter.

A documentary film about the Slovenian filmmaker Boštjan Hladnik.

A documentary film dedicated to the art historian and curator Igor Zabel (1958–2005), focuses on Zabel’s work in the field of visual arts from the end of the 1980s until his death.

Everything the actor plays in films later happens to him in real life.