Mound

A wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis and dance.

Long Hair Hobo, one of the artist’s favorite characters, springs to life in brightly colored and joyous clay (an enchanted palette in a savage world), his limbs and clothing beating to the rhythm of the music. He comes face to face with his alter ego, who is transformed, melts and changes into a rainbow before morphing into a lake. Long Hair Hobo is wonderstruck at the sight of this magnificent visual feast intercut with images of fields and greenspace, in what is a masterful integration of the real and virtual. An eloquent testimony to the impossibility of an unchanging identity, this work reveals the uncertainty and instability that accompany human beings throughout their lives.

Faced with the task of taking care of his senile dad, Adrian Lane attempts to seek out a humane way of ending his father's life. His earnest Craigslist posting brings unexpected consequences. Skinheads. Meth induced visions. Murder. And the true value of friendship.

A mysterious egg contains an impish creature who can grant great power, for good or evil. Brendan Bean, a kindly family man, finds himself face to face with the bizarre creature, and before long a friendship for the ages develops. Meanwhile, the depraved Benny Piazza leads his deranged militia on a violent quest to reclaim the magical homunculi.

An ensemble of musicians is gathered in a performance space. Each musician has their own instrument, means of amplification (if needed), and pair of headphones. All musicians’ headphones are plugged into one outputting sound source (usually an iPod with many headphone splitters). Music (usually a well known song from the popular music canon) is played from the sound source and the musicians are instructed to play something, anything that they hear in their headphones as accurately as they can on their own instrument. The musicians never know what songs or sounds they will be hearing in advance. The audience only hears what the musicians are playing and none of the original sound source, thus creating a “tracing” of the sound source material.

A stop-motion, animated film by Allison Schulnik that features Grizzly Bear's "Granny Diner," the Japanese bonus track from their 2006 album, 'Yellow House.'