The Big Pardon 2

The Big Pardon

The Bettoun clan: Raymond (the patriarch), Maurice (the son), Jacky (the nephew), Roland (the nephew), Albert (Raymond's cousin), Pépé (Raymond's friend), Samy (the bodyguard) are a family clan of Jewish Blackfoot kingpins of French organized crime. Their activities include running casinos, organizing underground boxing matches, illegal gambling, pimping, racketeering and bloody settlements of scores against other Arab and French clans. But in the shadows, Pascal Villars has sworn the loss of the Bettoun. He will succeed in setting the Arab clan against the Jewish clan, for the great benefit of the police commissioner Duché, who has been trying in vain for ten years to bring down the Bettouns.

Four Days of a Partisan

2039... A third world war on every continent... Isolated in an old building with his partner, a young man refuses to seek shelter during an alert. He rejects all historical awareness. But tragic circumstances will decide otherwise. Day One: BEYOND THE WIND. Day Two: VERTICAL COMBAT. Day Three: HORIZONTAL COMBAT. 2045. Day Four: BEYOND THE WIND.

Les Cent Livres des Hommes

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Spécial cinéma

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

What the Day Owes the Night

Algeria, the 1930s. Younes is nine years old when he is put in his uncle's care in Oran. Rebaptized Jonas, he grows up among the Rio Salado youths, with whom he becomes friends. Emilie is one of the gang; everyone is in love with her. A great love story develops between Jonas and Emilie, which is soon unsettled by the conflicts troubling the country.

To Be Twenty in the Aures

A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day.

Cesar and Rosalie

A young woman becomes entangled with a successful businessman, but her ex tries to win her back, provoking intense jealousy that leads her to reconsider her choice. Ultimately, one man's actions force a resolution to her dilemma.

Champs-Elysées

High Tension

Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.

Brothers in Arms

Simon, a Jewish police inspector, arrests Karim, a Muslim, in the bust of a drug smuggling cargo ship, only to realize that Karim is an undercover agent from the military intelligence, whose mission he was not aware of. The two men pursue the narc investigation, which will lead them to confront middle eastern terrorists together.

The One I Loved

Simone Signoret and Yves Montand were the most famous couple of their time. Haunted by her husband’s affair with Marilyn Monroe and bruised by all those that followed, Signoret always refused the role of victim. What they knew was that they would never leave each other.

24 Days

When Ilan Halimi is kidnapped for ransom because Jewish and supposedly rich, his family and the police start a race against time to save him from the tortures of the "gang of barbarians".

The Big Pardon

The Bettoun clan: Raymond (the patriarch), Maurice (the son), Jacky (the nephew), Roland (the nephew), Albert (Raymond's cousin), Pépé (Raymond's friend), Samy (the bodyguard) are a family clan of Jewish Blackfoot kingpins of French organized crime. Their activities include running casinos, organizing underground boxing matches, illegal gambling, pimping, racketeering and bloody settlements of scores against other Arab and French clans. But in the shadows, Pascal Villars has sworn the loss of the Bettoun. He will succeed in setting the Arab clan against the Jewish clan, for the great benefit of the police commissioner Duché, who has been trying in vain for ten years to bring down the Bettouns.

Sagan

France, 1950s. From the Quartier Latin to Saint-Tropez via New York, a young Parisienne becomes the icon of a whole generation. In 1954, 19-year-old Francoise Sagan shot to fame with her first novel, Bonjour Tristesse. Flamboyant, scandalous and underrated, Sagan lived her life at the furthest edge of excess. She won and lost fortunes at the roulette table, bought and crashed superb sports cars, drank, danced and partied, leaving a trail of lovers in her wake.

Hold-up

Dressed as a clown, the clever rascal Grimm holds up the most secure bank of Montreal and takes 30 hostages. While confusing and ridiculing the police with his strange behavior, he calmly manages to rid the bank of a fortune. But then an unsatisfied companion arouses trouble...

K

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

C'est La Vie

A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents' disintegrating marriage - all this in a rented house in a summer resort.