The Rest Is Personal...

Set in rural Bengal, Pradipta Bhattacharyya’s contemplative drama about the human condition, The Slow Man and His Raft, centres on Nadhar, a motion-impaired, middle-aged man, “slower than a sloth”, who is swept into a touring circus following the death of his caregiving mother. Nadhar is something of a relic, a slow man stranded in a frantic, productive society. For those around him, his slowness can at best serve as a derisory spectacle. An expansive meditation on human nature, slowness and being profoundly out of step with the world.

A biographical drama, Bhagshesh tells the tale of Madhumanti and her relationship with her step-daughter. Madhumanti marries her college friend Amit after his divorce only to take care of his 7-year-old daughter, Pooja. The daughter, devastated by her parents' divorce holds Madhumanti responsible for it, only to realize later that Madhumanti loved her unconditionally.

A lady wants to rent an apartment but everything goes wrong once she enters the abbot with a happy go lucky property agent.the agent leaves her alone just for a few minutes and suddenly she discovers that she is definitely not the only visitor!and on broad daylight things start to happen which make no sense but with only one explanation....there are few inmates in the apartment who are too friendly to handle.

Unable to cope with harsh reality of the world she lives in, Apala seeks solace in vivid and frequent flights of fantasy. She slowly detaches herself from everything real and starts treading the thin line between imagination and delusion.

It's a story of love, hate and betrayal and how the lives of three friends, Arya, Mohor and Mukul, get altered by these forces.

This film is partially inspired by the first volume of renowned Bengali author Sarat Chandra Chatterjee's seminal novel 'Srikanto'. On an idyllic retreat sponsored by an influential friend, Srikanto, the drifter-protagonist, comes across the beautiful Rajlokhi, his friend's mistress.

How long do we need machines? How long do machines need us? There comes a point when we realise that machines are virtually capable of operating without our active co-operations. All we need to do is afford them. But at what cost?

Telefilm by Pradipta Bhattacharya

Two people try to find their calling in Kolkata.

In the ancient land of Tripura, a king, a queen, and a priest rule over a kingdom steeped in superstition. The people believe the prosperity of the land depends on the blessings of the fierce Goddess Kali. If the Goddess is angered, it is said, destruction will follow. The queen, childless and desperate, clings to this belief. Convinced that a grand animal sacrifice will earn the Goddess's favour and grant her fertility, she turns to the priest for divine intervention. Together, they prepare a lavish ritual that will spill innocent blood. But the king, disturbed by the brutality of such traditions, declares a ban on animal sacrifice throughout his realm. A battle ensues: the queen and the priest defend the sacrifice as sacred duty, while the king sees it as inhumane violence.

Bengali telefilm written by Pradipta Bhattacharya and directed by Kumar Chowdhury

Journey of an elderly lady who came to India at an early age but still has her soul living in Bangladesh.

Ilias, an aspiring detective, takes up a murder case to impress the victim's sister and win her heart. Will Illias be able to solve the case?

2009 film directed by Pradipta Bhattacharya.

A Kumaar Chowdhury directorial.