Padre de Familia

It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.

The movie tells the story of Abigael Edades who returns to her Philippine hometown from her five-year stint as a nurse in Canada. Her town mates rousingly welcome her as a hero, the crass moniker ascribed by the government to hundreds of thousands of Filipinos working abroad. She finds her family in tatters, her parents estranged and living apart and her brother Jepoy living the life of drugs. But she basks in the welcome of her mother and youngest brother Noel and the devotion of her boyfriend, who proposes marriage. Her happiness is short-lived. She is diagnosed with SARS and contaminates Noel. They cause a national scare, are quarantined in Manila and are shunned by their own townspeople and the municipal government. Even her boyfriend leaves her. The hero becomes a heel. "Just a month after my return, my views on life and the people around me have irrevocably changed," she says at the start of the movie.

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