Try Again

BIRTH OF INDUSTRY is a contemporary allegory that explores the dualism of industry and nature. Maya, a young woman, emerges mysteriously from the ocean to give birth to her son, Joseph. Joseph quickly grows from infancy to adolescence and ventures into the industrialized world leaving his Mother behind. In the desperate pursuit of her son, Maya is subjected to a series of torturous rituals that serve to corrupt her state of natural being. Joseph, now an adult and himself a by-product of industry, is discovered by Maya to be the chief mechanism of her suffering. In an act of cosmic retribution Maya unleashes her motherly powers reducing him to the infant he once was and takes him with her back into the ocean.

A murdered skateboarding teen rises from the grave on his trusty board, unleashing a wave of outrageous revenge on those who wronged him.

A con artist is held captive by an unhinged cannibal family that ingests copious quantities of hallucinogenic, green fungal goo covertly harnessed from an otherworldly, sentient crystal housed in their third floor apartment of horrors.

After a vengeful sorceress is tortured and killed by a corrupt industrialist looking to harness the spectral powers of Red Spirit Lake, her niece arrives in snow covered Angel Falls to settle her aunt's estate.

Laurel Oberion thinks she's buying a nice house, but gets more than she bargained for! Haunted by a dead anthropologist and his satanic wife, Laurel's newfound home turns into a bloodbath of sexual desires when pain and pleasure mix indiscriminately. A basement of terror hides the secret... blood flows as human sacrifice leads to resurrection of a Dark God... and only Laurel can stop it before it's too late! Writer's block becomes psychotic madness in METAL NOIR, where blood-spattered sex leads to face-stabbing gore!

Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications?

The skeleton crew of a dig site remain over the weekend as they continue with research into a mummy they’ve found. One of them takes the research a little too far, performing a ritual to bring the spirit of the mummy back to life.

Debbie goes to Hell after committing suicide. Once there, she finds herself in the middle of a power struggle. The Devil asks her to get his horns back so that he can regain control of his realm.

Two sisters struggle with what it means to be a mother. One after the sudden loss of her baby, the other with her own inability to care for her young child. Together they find hope in the face of tragedy.

As Jake Tarlow knows, sometimes things don't turn out as you'd like. You end up living in your car. Your bookie is going to smash your face in if you don't square up. Your best friend is obsessed with the Black Dahlia. Your only way out is a crazy old bastard with one foot in the grave and nothing to lose.

A woman longs for one joyful Halloween with her family, but the ghosts of her past ignite a flame within her that she cannot control

Inspired by and loosely based on the introduction to Blue Of Noon by Georges Bataille, the title was taken from the name of the main character. It is a short portrayal of one person's descent into a state of degradation. In spite of her affluence, Dirty is rendered helpless in the hands of those she sought to patronise. The shifting points of view of this film allow the viewer to experience the protagonist as she is seen by herself, and how the world sees her.

By the year 2027 the shitters have conquered the earth. Humankind has one hope: the shitters are determined to stop her.

Charles Pinion's student film. Part of the Feller Triptych. Shot in 1988 in Williamsburg, Brooklyn.