Hledá se táta!

A story about the uproar caused by the arrival of a new, young and, by local standards, too energetic zookeeper in a village JZD. Her name is Maya Četná and one evening she arrives like a tornado on a motorbike in the semi-truck of a typical Czech village. The chairman, leaving the next day for a long-term training, has no time to get to know the girl properly, so it's no wonder he can't help wondering when she returns.

In the Wee Wee Hours... is a 1987 American short documentary film directed by Izak Ben-Meir about homeless people in Los Angeles. It was nominated for an Academy Award for Best Documentary Short.

An attractive and challenging 16-year-old girl has no shortage of admirers, but she becomes the cause of a small-town problem when she accuses her charming uncle of rape after trying in vain to seduce him. The bitter comedy, the only film directed by actor Václav Lohnisky, relies on the lively acting of both Vladimír Menšík as the eloquent uncle and Lucie Žulová as the mischievous seductress.

The rude and bitter mining engineer Štěrba strongly opposes the proposal of his colleague Ing. Vochoče to reopen mining in the old mine. Vochoč's plan is precisely prepared and could solve many problems. However, Štěrba does not want to explain anything to anyone, he does not want to talk to anyone, his only refuge is the pub and his only friend is a glass of alcohol. He has resigned himself to a relationship with his wife. No one knows that he has very good reasons to prevent Vochoč and the others from taking their meritorious initiative...

When a volunteer police helper is too proactive, he causes more confusion than good. The unfortunate man has no idea what the testimony of an unreliable witness can do...

Two marriageable girls, Princess Disperanda and her maid Káča, sign a betrothal with their own blood in exchange for fairy-tale grooms. Although both devilish betrothals accidentally fall into the hands of the brave retired soldier Martin Kabát, the cunning devil Solfernus takes possession of them through cunning, and Martin has no choice but to go to the burning hell.

The story takes place at the time when Giacomo Casanova, probably the most famous conqueror of women, held the position of librarian at the Valdštejn castle in Duchcov. He was then a rather bored and grumpy old man who enjoyed only writing his memoirs and then a daily game of cards with the Count. But all that changed when Wallenstein's young nephew František Adam arrived at the chateau with his charming wife Valeria. She wanted to see the famous seducer with her own eyes. However, she was somewhat disappointed by the reality, as well as by the seducer's outdated views on love.

At the end of the 1950s, some filmmakers attempted to escape the ideological dictates by turning to psychological drama. We watch as an aging, uptight, strict woman who has come to inspect a regional publishing house literally blossoms and snows. A few days of comfort and happiness, however, are capped by a bitter epiphany: the man who had so charmed her has indeed embezzled the money entrusted to him.

Miss Nováková reports to Major Tuma (Karel Höger) from the police about the disappearance of her roommate, the model Zuzana. Shortly afterwards, a film director named Konrád (Otomar Krejca) asks Tuma to cooperate on a new cinéma-vérité film describing the story of Zuzana's disappearance.

A film about life in the Czech borderlands after the expulsion of the Sudeten Germans.

The suffocating conditions in a bourgeois family were depicted in several films in the second half of the 1950s - this one is one of the lesser known, although it achieves great emotional impact, free from the first ideological pressures. The title character, the owner of the tenement house Mrs. Dulská, controls her relatives and tenants with a firm and despotic hand. To achieve her goals, she masterfully combines tears, blackmail and insidious intrigues, or does not hesitate to abuse the trusting and handsome maid Hanka when she wants her son not to fool around. Everything suddenly turns around when Hank gets pregnant... But the appearance of a good reputation is more important to her than anything.

A comedy based on the novel of Jaroslav Hašek's The Good Soldier Svejk happens during the World War I. I Dutifully Report: In the introduction to the second part of the film adaptation of Hašek's novel The Good Soldier Švějk presents his main character Josef Švejk. With the distinctive traditional Czech cartoon character of a soldier Svejk, this time you meet on the way to the front and eventually right in the firing line. You can look at his famous train events, and also probably the most famous episode of the novel, Švejk's Budějovice anabasis. Don't miss the scene with the secretly bought cognac, the episode with Svejk as a fake Russian prisoner of war, including the court scene, and the scene in which lieutenant Dub is caught in a brothel. Despite the criticism, Steklý's adaptation is undoubtedly the most famous and memorable at present.

Miroslav Hornicek is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.

The sad hero of the story, Petr, an ordinary lawyer in a construction company, is crowded into a small apartment in Žižkov with his wife and grandparents, desperately struggling with the lack of money. One day he offers an old man a seat on a crowded trolley bus and is generously rewarded for his good deed, for the unknown old man is a fabulous grandfather. He gives Peter a magic bell and the opportunity to make three wishes, but the first two slip through his fingers. For the third, the astonished man must take time to think...

Several bittersweet stories set in a Prague apartment building.

A student commits suicide out of unhappy love to a married man; story is recounted in retrospective by a "judge" who asks the audience to decide who is the guilty party.