The Ferrywoman

Armenia Balducci's film, featuring Gian Maria Volontè as Stark, a cop-movie actor that falls prey to paranoia because he fears his latest movie will be a failure.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Tommaso Scalia is a man who commits three murders: he kills his superior who sacked him, the man who replaced him and his wife. He wants a quick trial and an early execution, but an earnest, principled assistant judge looks for a way to save the murderer from being shot, because he does not belive in capital punishment.

Sicilian dockworker Mimi inadvertently becomes embroiled in an increasingly complicated array of personal conflicts. When he loses his job after voting against a Mafia kingpin in an allegedly secret election, Mimi leaves his wife to find new employment. He moves to Turin, where he engages in an affair with a Communist organiser. Soon, Mimi finds himself juggling two demanding relationships while plotting revenge against the corrupt forces that ruined his life.

This is the story of writer Alberto's long journey to Stockholm, where the Nobel Prize awaits him, in a blazing Maserati. He is accompanied by Alessandro, a young journalist whose job is to interview him along the way. Personal and generational dynamics arise between the two men, leading to misunderstandings, jealousies, quarrels, separations, love quarrels and so on, but also to growth for both of them. A story full of twists and turns and always played on the edge of irony.

After many years, a retired diplomat returns to his native Sicily to visit an abandoned property and delve into family correspondence. But is it worth bringing up the past? A difficult Sicilian history against the backdrop of the mafia and drugs.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

An American journalist working for a French newspaper is writing an article on the public reaction to those with AIDS, unaware that he too is infected. Once he finds out, he decides to go into reclusion, leaving his wife and daughter.

An ordinary man is snatched off the streets and turned into a man with incredible powers by an insidious company hell bent on world domination.

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

Mauro, a judge, is worried about his older sister Marta, who took care of him since he was a boy, and now suffers from mental illness and suicidal thoughts. She seems to recover from her depression when Mauro acquaints her with Giovanni, a brilliant actor at the edge of legality. However, Mauro becomes unconsciously jealous of their relationship.

A painter facing a creative block arranges to spend the weekend in the country at his mistress's villa. While staying there, his sanity begins to disintegrate.

In 1945, the dictator of fascist Italy and Hitler's close ally Benito Mussolini faces defeat. In a desperate attempt to avoid capture, he tries to flee the country with his lover Claretta Petacci, but Italian partisans are on their tail.

A disaffected media executive spends his days watching violent programming on the television screens in his office and his evenings neglecting his frustrated wife at home. The monotonicity is disturbed when he is contacted by an old friend who confides in him he is being threatened by mysterious assassins.